Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi
This work focuses on the musical analysis of Monteverd’s composition styles in his sacred music. The motets, Confitebor tibi, Domine were printed in 1640 in collection of Selva morale e spiritual. Even in these rigidly bound works, Monteverdi gives full intensity to the meaning of every word of the...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2023-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/6883 |
| _version_ | 1827387548410839040 |
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| author | Apolka FÁBIÁN |
| author_facet | Apolka FÁBIÁN |
| author_sort | Apolka FÁBIÁN |
| collection | DOAJ |
| description |
This work focuses on the musical analysis of Monteverd’s composition styles in his sacred music. The motets, Confitebor tibi, Domine were printed in 1640 in collection of Selva morale e spiritual. Even in these rigidly bound works, Monteverdi gives full intensity to the meaning of every word of the text, trying to bring it to life in a vivid and convincing way. These three versions of Psalm 111 present different compositional techniques, through which Monteverdi wishes to emphasize the content of the text.
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| first_indexed | 2024-03-08T16:03:49Z |
| format | Article |
| id | doaj.art-ba54b54bbba245148e07a2d978bb4068 |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:03:49Z |
| publishDate | 2023-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-ba54b54bbba245148e07a2d978bb40682024-01-08T09:41:20ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282023-12-0168210.24193/subbmusica.2023.2.22Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio MonteverdiApolka FÁBIÁN0Gheorghe Dima National Music Academy, Cluj-Napoca, Assistant Professor Colaborator at the Babeș-Bolyai University, Faculty of Reformed Theology and Music. E-mail: apolkafabian@gmail.com This work focuses on the musical analysis of Monteverd’s composition styles in his sacred music. The motets, Confitebor tibi, Domine were printed in 1640 in collection of Selva morale e spiritual. Even in these rigidly bound works, Monteverdi gives full intensity to the meaning of every word of the text, trying to bring it to life in a vivid and convincing way. These three versions of Psalm 111 present different compositional techniques, through which Monteverdi wishes to emphasize the content of the text. http://193.231.18.162/index.php/subbmusica/article/view/6883Renaissance music, Claudio Monteverdi, motet, sacred music. |
| spellingShingle | Apolka FÁBIÁN Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi Studia Universitatis Babeş-Bolyai. Musica Renaissance music, Claudio Monteverdi, motet, sacred music. |
| title | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi |
| title_full | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi |
| title_fullStr | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi |
| title_full_unstemmed | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi |
| title_short | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi |
| title_sort | analytical aspects of the three versions of confitebor tibi domine by claudio monteverdi |
| topic | Renaissance music, Claudio Monteverdi, motet, sacred music. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/6883 |
| work_keys_str_mv | AT apolkafabian analyticalaspectsofthethreeversionsofconfitebortibidominebyclaudiomonteverdi |