Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël

The contribution intends to examine some passages of the description of the Roman Carnival present in the novel by Germaine de Staël, Corinne ou l’Italie (1807). After analyzing the writer’s cultural background (German idealism, Frühromantik, Enlightenment universalism), I will focus not only on the...

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Main Author: David Matteini
Format: Article
Language:English
Published: Firenze University Press 2020-12-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12450
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author David Matteini
author_facet David Matteini
author_sort David Matteini
collection DOAJ
description The contribution intends to examine some passages of the description of the Roman Carnival present in the novel by Germaine de Staël, Corinne ou l’Italie (1807). After analyzing the writer’s cultural background (German idealism, Frühromantik, Enlightenment universalism), I will focus not only on the meaning that the episode takes on within her aesthetics, but above all I will try to identify the peculiar traits of the new modern mentality arising from developments of the French Revolution. In this way, it will be possible to place the novel in a broader cultural and historical perspective and, at the same time, reflect on the meaning taken on by the Carnival rite on the threshold of the modern era.
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spelling doaj.art-ba86702929f04bb2bb3a57f02aa435b02022-12-22T02:46:28ZengFirenze University PressLea1824-484X2020-12-019910.13128/lea-1824-484x-12450Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de StaëlDavid MatteiniThe contribution intends to examine some passages of the description of the Roman Carnival present in the novel by Germaine de Staël, Corinne ou l’Italie (1807). After analyzing the writer’s cultural background (German idealism, Frühromantik, Enlightenment universalism), I will focus not only on the meaning that the episode takes on within her aesthetics, but above all I will try to identify the peculiar traits of the new modern mentality arising from developments of the French Revolution. In this way, it will be possible to place the novel in a broader cultural and historical perspective and, at the same time, reflect on the meaning taken on by the Carnival rite on the threshold of the modern era.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12450Carnival, French Revolution, Germaine de Staël, German romanticism, modern era
spellingShingle David Matteini
Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
Lea
Carnival, French Revolution, Germaine de Staël, German romanticism, modern era
title Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
title_full Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
title_fullStr Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
title_full_unstemmed Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
title_short Il Carnevale come soglia del moderno. Permanenze franco-tedesche nella descrizione della festa romana in Corinne ou l’Italie di Germaine de Staël
title_sort il carnevale come soglia del moderno permanenze franco tedesche nella descrizione della festa romana in corinne ou l italie di germaine de stael
topic Carnival, French Revolution, Germaine de Staël, German romanticism, modern era
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12450
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