The Role of History in Bestseller and Blockbuster Culture

History provides an infinite supply of dramatic events, stories, characters and conflicts. The article provides a brief overview of prevalent conceptions and ideas of history that can be applied to the wide-spread historical fictions of the bestseller and blockbuster culture. On the background of th...

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Main Author: Gunhild Agger
Format: Article
Language:Danish
Published: Aalborg University Open Publishing 2013-12-01
Series:Akademisk Kvarter
Subjects:
Online Access:https://journals.aau.dk/index.php/ak/article/view/2837
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author Gunhild Agger
author_facet Gunhild Agger
author_sort Gunhild Agger
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description History provides an infinite supply of dramatic events, stories, characters and conflicts. The article provides a brief overview of prevalent conceptions and ideas of history that can be applied to the wide-spread historical fictions of the bestseller and blockbuster culture. On the background of the current alliance between history and media, I propose a methodological distinction between three levels: 1) a historiographical level, concerned with overall considerations and reflections, 2) a user-orientated level focussing on the uses and functions of history, and 3) a genre-orientated level considering historical films and TV drama productions within a frame of genre traditions, including hybrids. The insights are applied analytically using the case of the Danish bestseller biography and blockbuster film Marie Krøyer.
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spelling doaj.art-ba987b1899ad4286aeaf97336093865e2024-04-02T11:34:07ZdanAalborg University Open PublishingAkademisk Kvarter1904-00082013-12-01710.5278/ojs.academicquarter.v0i7.2837The Role of History in Bestseller and Blockbuster CultureGunhild AggerHistory provides an infinite supply of dramatic events, stories, characters and conflicts. The article provides a brief overview of prevalent conceptions and ideas of history that can be applied to the wide-spread historical fictions of the bestseller and blockbuster culture. On the background of the current alliance between history and media, I propose a methodological distinction between three levels: 1) a historiographical level, concerned with overall considerations and reflections, 2) a user-orientated level focussing on the uses and functions of history, and 3) a genre-orientated level considering historical films and TV drama productions within a frame of genre traditions, including hybrids. The insights are applied analytically using the case of the Danish bestseller biography and blockbuster film Marie Krøyer. https://journals.aau.dk/index.php/ak/article/view/2837Historical cinema, Bestseller biographies, Biographical blockbusters, History and media culture, Marie Krøyer
spellingShingle Gunhild Agger
The Role of History in Bestseller and Blockbuster Culture
Akademisk Kvarter
Historical cinema, Bestseller biographies, Biographical blockbusters, History and media culture, Marie Krøyer
title The Role of History in Bestseller and Blockbuster Culture
title_full The Role of History in Bestseller and Blockbuster Culture
title_fullStr The Role of History in Bestseller and Blockbuster Culture
title_full_unstemmed The Role of History in Bestseller and Blockbuster Culture
title_short The Role of History in Bestseller and Blockbuster Culture
title_sort role of history in bestseller and blockbuster culture
topic Historical cinema, Bestseller biographies, Biographical blockbusters, History and media culture, Marie Krøyer
url https://journals.aau.dk/index.php/ak/article/view/2837
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