Sociological Aspects of the Precariat’s Art-being

The article by Maryna Protas explores the sociological aspects of the art-being of a new stratum of modern society - the precariat, to which artists and cultural figures belong in the context of a conflict of global capitalism with the strategies for the development of nation-states’ heterogeneous d...

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Main Author: Марина Протас
Format: Article
Language:English
Published: National Academy of Arts of Ukraine. Modern Art Research Institute 2017-12-01
Series:Сучасне мистецтво
Subjects:
Online Access:http://sm.mari.kiev.ua/article/view/142263
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author Марина Протас
author_facet Марина Протас
author_sort Марина Протас
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description The article by Maryna Protas explores the sociological aspects of the art-being of a new stratum of modern society - the precariat, to which artists and cultural figures belong in the context of a conflict of global capitalism with the strategies for the development of nation-states’ heterogeneous democracy capable of forming qualitative public spaces, including artistic multicultural oecumenas. Drawing on the broad argumentation base of Western sociology, in particular key works by G. Standing, R. Dahl, F. Saunders, M. Lazzarato and others, the author tries to elucidate the social mechanisms of the total spread of contemporary forms of art, when art creativity becomes commodified, and the long-term prospects for a culture of the future lose their relevance, as the flexible market subordinates to its mercantile laws the intangible spiritual activity and artistic formation of a society still dreaming of going over to the Post-Fordist phase of its development.
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spelling doaj.art-bb3c33fca06047e6b500e58ae53c73ab2022-12-22T03:14:40ZengNational Academy of Arts of Ukraine. Modern Art Research InstituteСучасне мистецтво2309-88132663-03622017-12-0101311813810.31500/2309-8813.13.2017.142263142263Sociological Aspects of the Precariat’s Art-beingМарина ПротасThe article by Maryna Protas explores the sociological aspects of the art-being of a new stratum of modern society - the precariat, to which artists and cultural figures belong in the context of a conflict of global capitalism with the strategies for the development of nation-states’ heterogeneous democracy capable of forming qualitative public spaces, including artistic multicultural oecumenas. Drawing on the broad argumentation base of Western sociology, in particular key works by G. Standing, R. Dahl, F. Saunders, M. Lazzarato and others, the author tries to elucidate the social mechanisms of the total spread of contemporary forms of art, when art creativity becomes commodified, and the long-term prospects for a culture of the future lose their relevance, as the flexible market subordinates to its mercantile laws the intangible spiritual activity and artistic formation of a society still dreaming of going over to the Post-Fordist phase of its development.http://sm.mari.kiev.ua/article/view/142263прекаріаткультура та мистецтвокоммодифікована творчість
spellingShingle Марина Протас
Sociological Aspects of the Precariat’s Art-being
Сучасне мистецтво
прекаріат
культура та мистецтво
коммодифікована творчість
title Sociological Aspects of the Precariat’s Art-being
title_full Sociological Aspects of the Precariat’s Art-being
title_fullStr Sociological Aspects of the Precariat’s Art-being
title_full_unstemmed Sociological Aspects of the Precariat’s Art-being
title_short Sociological Aspects of the Precariat’s Art-being
title_sort sociological aspects of the precariat s art being
topic прекаріат
культура та мистецтво
коммодифікована творчість
url http://sm.mari.kiev.ua/article/view/142263
work_keys_str_mv AT marinaprotas sociologicalaspectsoftheprecariatsartbeing