| Summary: | Reflection and transparency are two valuable properties associated with the use of glass as an architectural material. While proponents of modernism favored transparency over reflection, whether in its physical or conceptual implications, to justify the designs of façades of Modernist buildings and in architectural criticism, contemporary architects are revisiting the neglected trait of ‘reflection’. Taking advantage of the technological advances in glass and other materials that have taken reflection to new limits, they are able to design reflective façades, providing new implications and significance. This paper aims to fill the theoretical gap that arises from the different conceptual ideas of using reflective façades. It will also explore the implications intended by architects to be perceived by viewers, thereby facilitating the future use of these façades in a way that satisfies architects and attracts beholders. The research methodology employed thematic analysis of various experiences of the use of reflective façades in different buildings with diverse functions and locations. The vocabulary used by architects and their intended implications were analyzed, coded, and categorized under three main themes: ‘Aesthetics of Disappearance’, ‘Games of Optical Illusions’, and ‘Mystery and Arousing Curiosity’.
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