Goodmanova teorie zobrazení a fenomenologie
Nelson Goodman’s Languages of Art, one of the most cited and commented publications in theory of art, deals with various questions, including the question whether a piece of art can realistically portray reality. Goodman suggests that it cannot, since a reliable criterion of “imitation” is not to be...
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| Format: | Article |
| Language: | ces |
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Karolinum Press and Oikoymenh Press
2019-03-01
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| Series: | Reflexe |
| Online Access: | https://www.reflexe.cz/Reflexe_55/Goodmanova_teorie_zobrazeni_a_fenomenologie.html |
| _version_ | 1811205001710665728 |
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| author | Ivan Blecha |
| author_facet | Ivan Blecha |
| author_sort | Ivan Blecha |
| collection | DOAJ |
| description | Nelson Goodman’s Languages of Art, one of the most cited and commented publications in theory of art, deals with various questions, including
the question whether a piece of art can realistically portray reality. Goodman suggests that it cannot, since a reliable criterion of “imitation” is not to be found. This statement leads to a certain type of
relativism and social constructivism, which then find their expression also in philosophy of language. The aim of my paper is to problematize
some of Goodman’s starting points, and from the view of phenomenology to assess the problems associated with the so-called “innocent eye”, corporeality, and the constitution of object sense. It turns out that the
problem of imitation can be approached in a different way and that there is no need to reject the possibility of realistic picturing. |
| first_indexed | 2024-04-12T03:23:13Z |
| format | Article |
| id | doaj.art-bb9cb19f646a45efa5cd8492caa993aa |
| institution | Directory Open Access Journal |
| issn | 0862-6901 2533-7637 |
| language | ces |
| last_indexed | 2024-04-12T03:23:13Z |
| publishDate | 2019-03-01 |
| publisher | Karolinum Press and Oikoymenh Press |
| record_format | Article |
| series | Reflexe |
| spelling | doaj.art-bb9cb19f646a45efa5cd8492caa993aa2022-12-22T03:49:48ZcesKarolinum Press and Oikoymenh PressReflexe0862-69012533-76372019-03-012018558110610.14712/25337637.2019.47904Goodmanova teorie zobrazení a fenomenologieIvan BlechaNelson Goodman’s Languages of Art, one of the most cited and commented publications in theory of art, deals with various questions, including the question whether a piece of art can realistically portray reality. Goodman suggests that it cannot, since a reliable criterion of “imitation” is not to be found. This statement leads to a certain type of relativism and social constructivism, which then find their expression also in philosophy of language. The aim of my paper is to problematize some of Goodman’s starting points, and from the view of phenomenology to assess the problems associated with the so-called “innocent eye”, corporeality, and the constitution of object sense. It turns out that the problem of imitation can be approached in a different way and that there is no need to reject the possibility of realistic picturing.https://www.reflexe.cz/Reflexe_55/Goodmanova_teorie_zobrazeni_a_fenomenologie.html |
| spellingShingle | Ivan Blecha Goodmanova teorie zobrazení a fenomenologie Reflexe |
| title | Goodmanova teorie zobrazení a fenomenologie |
| title_full | Goodmanova teorie zobrazení a fenomenologie |
| title_fullStr | Goodmanova teorie zobrazení a fenomenologie |
| title_full_unstemmed | Goodmanova teorie zobrazení a fenomenologie |
| title_short | Goodmanova teorie zobrazení a fenomenologie |
| title_sort | goodmanova teorie zobrazeni a fenomenologie |
| url | https://www.reflexe.cz/Reflexe_55/Goodmanova_teorie_zobrazeni_a_fenomenologie.html |
| work_keys_str_mv | AT ivanblecha goodmanovateoriezobrazeniafenomenologie |