Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)

The tradition of Akwanshi/Atal monoliths seems to have developed in the footsteps of a common regional background of ancient Iron Age megalithic civilization, showing also an assimilation of the standards of wood sculpture and body arts, in link to the establishment around the 16th century of initia...

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Main Authors: Narcisse Santores Tchandeu, Hassimi Sambo
Format: Article
Language:English
Published: OpenEdition 2021-11-01
Series:Afrique Archéologie Arts
Subjects:
Online Access:http://journals.openedition.org/aaa/3273
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author Narcisse Santores Tchandeu
Hassimi Sambo
author_facet Narcisse Santores Tchandeu
Hassimi Sambo
author_sort Narcisse Santores Tchandeu
collection DOAJ
description The tradition of Akwanshi/Atal monoliths seems to have developed in the footsteps of a common regional background of ancient Iron Age megalithic civilization, showing also an assimilation of the standards of wood sculpture and body arts, in link to the establishment around the 16th century of initiatory institutions and agrarian rites of the Ikom group. As exceptional in Africa as the sculpted phallic monoliths of Ethiopia and Mali, these monuments, more or less difficult to move, have nevertheless continued to be prized on the international art market and to fuel museums. Collected in often illegal conditions, in relation to security crises such as those in Biafra, research on the akwanshi/atal poses many problems: that of the archaeological contexts and conditions of production, that of the meaning of representations in the collective memory of ethnic groups in situ, and that of stylistic attributes and classifications. Based on a synthesis of knowledge on the subject, this study offers a diachronic analysis of styles, and an examination of local heritage and international collections.
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spelling doaj.art-bbd7466fb4584b188e33ea75423649cc2022-12-21T20:34:59ZengOpenEditionAfrique Archéologie Arts2431-20452021-11-0117557610.4000/aaa.3273Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)Narcisse Santores TchandeuHassimi SamboThe tradition of Akwanshi/Atal monoliths seems to have developed in the footsteps of a common regional background of ancient Iron Age megalithic civilization, showing also an assimilation of the standards of wood sculpture and body arts, in link to the establishment around the 16th century of initiatory institutions and agrarian rites of the Ikom group. As exceptional in Africa as the sculpted phallic monoliths of Ethiopia and Mali, these monuments, more or less difficult to move, have nevertheless continued to be prized on the international art market and to fuel museums. Collected in often illegal conditions, in relation to security crises such as those in Biafra, research on the akwanshi/atal poses many problems: that of the archaeological contexts and conditions of production, that of the meaning of representations in the collective memory of ethnic groups in situ, and that of stylistic attributes and classifications. Based on a synthesis of knowledge on the subject, this study offers a diachronic analysis of styles, and an examination of local heritage and international collections.http://journals.openedition.org/aaa/3273carved monolithsakwanshi/atal
spellingShingle Narcisse Santores Tchandeu
Hassimi Sambo
Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
Afrique Archéologie Arts
carved monoliths
akwanshi/atal
title Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
title_full Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
title_fullStr Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
title_full_unstemmed Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
title_short Monolithes sculptés akwanshi/atal de la Cross River (Nigéria-Cameroun)
title_sort monolithes sculptes akwanshi atal de la cross river nigeria cameroun
topic carved monoliths
akwanshi/atal
url http://journals.openedition.org/aaa/3273
work_keys_str_mv AT narcissesantorestchandeu monolithessculptesakwanshiataldelacrossrivernigeriacameroun
AT hassimisambo monolithessculptesakwanshiataldelacrossrivernigeriacameroun