Spiral Coercion: Nazi Power and Family Authority in Charlotte Salomon’s Autobiographical Work Life? Or Theatre?

Life? or Theatre? is a visual-theatrical, textual, and auto-biographical play of Charlotte Salomon, a Jewish talented artist, executed at a very young age in the Auschwitz concentration camp. In this paper, I consider Salomon’s work a document of life, and a testimony of her personal intra-familial,...

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Bibliographic Details
Main Author: Eleftheria Karagianni
Format: Article
Language:English
Published: Hyperion University 2023-04-01
Series:HyperCultura
Subjects:
Online Access:http://litere.hyperion.ro/hypercultura/wp-content/uploads/2023/04/Karagianni-Eleftheria.pdf
Description
Summary:Life? or Theatre? is a visual-theatrical, textual, and auto-biographical play of Charlotte Salomon, a Jewish talented artist, executed at a very young age in the Auschwitz concentration camp. In this paper, I consider Salomon’s work a document of life, and a testimony of her personal intra-familial, and personal experience of “the before—Auschwitz” (Jenn-Gastal 228) depicting, among others, historical and socio-political facts articulated and expressed through narrative and painting. Since in Sociology life stories or autobiographical narratives constitute a valuable tool, I will employ Salomon’s drawings, captions and texts as a “synergetic fusing of social sciences and the arts” (Bagley 34), in order to shed ample light on her reconstructed lived experience. This research aims at examining Salomon's autobiographical work from a sociological and philosophical perspective, referring to the views of great theorists, such as Hannah Arendt, Zygmunt Bauman, and the founders of the Frankfurt School, who tried to explain the origins of totalitarianism, power relations and the causes of the Holocaust.
ISSN:2559-2025