'Together We Curate': Cultural Participation and Collective Curating

In the frame of the museums’ reflexive and participatory turn and given that curation has rarely been used as an inclusive practice, the co-curating program 'Together We Curate', initiated by the MOMus-Experimental Center for the Arts (Thessaloniki, Greece) after the first lockdown of the...

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Main Authors: Niki Nikonanou, Thouli Misirloglou
Format: Article
Language:English
Published: University of Leicester 2023-05-01
Series:Museum & Society
Subjects:
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/4048
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author Niki Nikonanou
Thouli Misirloglou
author_facet Niki Nikonanou
Thouli Misirloglou
author_sort Niki Nikonanou
collection DOAJ
description In the frame of the museums’ reflexive and participatory turn and given that curation has rarely been used as an inclusive practice, the co-curating program 'Together We Curate', initiated by the MOMus-Experimental Center for the Arts (Thessaloniki, Greece) after the first lockdown of the covid-19 pandemic, has served as an attempt to break with established theory and practice. The paper discusses the participatory experience of a co-curating exhibition and critically examines if and how such an approach enables curating to become an inclusive practice. Via a practice-led research methodology, the paper reflects on how a radical shift in the institution’s received practices can serve as a vehicle for togetherness, enabling visitors to become active agents and transforming curating into an inclusive practice, possibly opening new spaces for thought and action in the process of democratizing art and culture.
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spelling doaj.art-bc2fce1d7fe74b6fbf8f2c690c4862da2023-05-16T15:19:45ZengUniversity of LeicesterMuseum & Society1479-83602023-05-01211314410.29311/mas.v21i1.40483487'Together We Curate': Cultural Participation and Collective CuratingNiki Nikonanou0Thouli Misirloglou1Universtiy of ThessalyMOMus-Experimental Center for the Arts, ThessalonikiIn the frame of the museums’ reflexive and participatory turn and given that curation has rarely been used as an inclusive practice, the co-curating program 'Together We Curate', initiated by the MOMus-Experimental Center for the Arts (Thessaloniki, Greece) after the first lockdown of the covid-19 pandemic, has served as an attempt to break with established theory and practice. The paper discusses the participatory experience of a co-curating exhibition and critically examines if and how such an approach enables curating to become an inclusive practice. Via a practice-led research methodology, the paper reflects on how a radical shift in the institution’s received practices can serve as a vehicle for togetherness, enabling visitors to become active agents and transforming curating into an inclusive practice, possibly opening new spaces for thought and action in the process of democratizing art and culture.https://journals.le.ac.uk/ojs1/index.php/mas/article/view/4048participation, art institutions, co-curating, communities, togetherness, democratization
spellingShingle Niki Nikonanou
Thouli Misirloglou
'Together We Curate': Cultural Participation and Collective Curating
Museum & Society
participation, art institutions, co-curating, communities, togetherness, democratization
title 'Together We Curate': Cultural Participation and Collective Curating
title_full 'Together We Curate': Cultural Participation and Collective Curating
title_fullStr 'Together We Curate': Cultural Participation and Collective Curating
title_full_unstemmed 'Together We Curate': Cultural Participation and Collective Curating
title_short 'Together We Curate': Cultural Participation and Collective Curating
title_sort together we curate cultural participation and collective curating
topic participation, art institutions, co-curating, communities, togetherness, democratization
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/4048
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