Bad Enough Ergonomics

The article analyzes ergonomics as a social and cultural phenomenon, as something that is formulated and described by speakers in a specific social context; in a company that is specialized in producing ergonomic office furniture. Through a case study of an office chair, the article examines how erg...

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Main Author: Virve Peteri
Format: Article
Language:English
Published: SAGE Publishing 2017-01-01
Series:SAGE Open
Online Access:https://doi.org/10.1177/2158244016685135
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author Virve Peteri
author_facet Virve Peteri
author_sort Virve Peteri
collection DOAJ
description The article analyzes ergonomics as a social and cultural phenomenon, as something that is formulated and described by speakers in a specific social context; in a company that is specialized in producing ergonomic office furniture. Through a case study of an office chair, the article examines how ergonomics and its association with the vision of the potential users and their working spaces are constructed by the relevant actors in project meetings and individual interviews during the manufacturing process. The article is concerned with how, in the process of producing an office chair, the chair gains an identity of an aesthetic design object and how this comes to mean the reformulation of the idea of ergonomics. The empirical analysis also provides insight into how the somewhat grand discourses of soft capitalism or aesthetic economy are not abstract, but very much grounded in everyday practices of an organization. The article establishes how the vision shared by all the relevant actors invites active, flexible, and cooperative end-users and how the vision also has potential material effects. The research is an ethnographically inspired case study that draws ideas from discursive psychology.
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spelling doaj.art-bc38eeae3419484280e5915bd446c7cd2022-12-22T01:53:35ZengSAGE PublishingSAGE Open2158-24402017-01-01710.1177/215824401668513510.1177_2158244016685135Bad Enough ErgonomicsVirve Peteri0University of Tampere, FinlandThe article analyzes ergonomics as a social and cultural phenomenon, as something that is formulated and described by speakers in a specific social context; in a company that is specialized in producing ergonomic office furniture. Through a case study of an office chair, the article examines how ergonomics and its association with the vision of the potential users and their working spaces are constructed by the relevant actors in project meetings and individual interviews during the manufacturing process. The article is concerned with how, in the process of producing an office chair, the chair gains an identity of an aesthetic design object and how this comes to mean the reformulation of the idea of ergonomics. The empirical analysis also provides insight into how the somewhat grand discourses of soft capitalism or aesthetic economy are not abstract, but very much grounded in everyday practices of an organization. The article establishes how the vision shared by all the relevant actors invites active, flexible, and cooperative end-users and how the vision also has potential material effects. The research is an ethnographically inspired case study that draws ideas from discursive psychology.https://doi.org/10.1177/2158244016685135
spellingShingle Virve Peteri
Bad Enough Ergonomics
SAGE Open
title Bad Enough Ergonomics
title_full Bad Enough Ergonomics
title_fullStr Bad Enough Ergonomics
title_full_unstemmed Bad Enough Ergonomics
title_short Bad Enough Ergonomics
title_sort bad enough ergonomics
url https://doi.org/10.1177/2158244016685135
work_keys_str_mv AT virvepeteri badenoughergonomics