From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
The present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association...
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Format: | Article |
Language: | English |
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Université Toulouse - Jean Jaurès
2012-12-01
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Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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Online Access: | http://journals.openedition.org/miranda/4390 |
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author | Vanessa Alayrac-Fielding |
author_facet | Vanessa Alayrac-Fielding |
author_sort | Vanessa Alayrac-Fielding |
collection | DOAJ |
description | The present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association with the Far East, contributed to the development of the rococo in the decorative arts in England and became a metonymy for women and the female material world. |
first_indexed | 2024-04-13T08:16:08Z |
format | Article |
id | doaj.art-bc9a20ecf42f4a98a048342790ad2d3e |
institution | Directory Open Access Journal |
issn | 2108-6559 |
language | English |
last_indexed | 2024-04-13T08:16:08Z |
publishDate | 2012-12-01 |
publisher | Université Toulouse - Jean Jaurès |
record_format | Article |
series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
spelling | doaj.art-bc9a20ecf42f4a98a048342790ad2d3e2022-12-22T02:54:46ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592012-12-01710.4000/miranda.4390From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiorsVanessa Alayrac-FieldingThe present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association with the Far East, contributed to the development of the rococo in the decorative arts in England and became a metonymy for women and the female material world.http://journals.openedition.org/miranda/4390porcelainrococochinoiserieChinateacuriosity |
spellingShingle | Vanessa Alayrac-Fielding From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors Miranda: Revue Pluridisciplinaire du Monde Anglophone porcelain rococo chinoiserie China tea curiosity |
title | From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors |
title_full | From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors |
title_fullStr | From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors |
title_full_unstemmed | From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors |
title_short | From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors |
title_sort | from the curious to the artinatural the meaning of oriental porcelain in 17th and 18th century english interiors |
topic | porcelain rococo chinoiserie China tea curiosity |
url | http://journals.openedition.org/miranda/4390 |
work_keys_str_mv | AT vanessaalayracfielding fromthecurioustotheartinaturalthemeaningoforientalporcelainin17thand18thcenturyenglishinteriors |