From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors

The present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association...

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Main Author: Vanessa Alayrac-Fielding
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2012-12-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/4390
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author Vanessa Alayrac-Fielding
author_facet Vanessa Alayrac-Fielding
author_sort Vanessa Alayrac-Fielding
collection DOAJ
description The present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association with the Far East, contributed to the development of the rococo in the decorative arts in England and became a metonymy for women and the female material world.
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spelling doaj.art-bc9a20ecf42f4a98a048342790ad2d3e2022-12-22T02:54:46ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592012-12-01710.4000/miranda.4390From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiorsVanessa Alayrac-FieldingThe present article seeks to analyze the presence and the symbolical meaning of oriental, and in particular Chinese, porcelain in English interiors in the 17th and 18th centuries. It examines how porcelain, through its dual status as both a natural and artificial artifact, and its exotic association with the Far East, contributed to the development of the rococo in the decorative arts in England and became a metonymy for women and the female material world.http://journals.openedition.org/miranda/4390porcelainrococochinoiserieChinateacuriosity
spellingShingle Vanessa Alayrac-Fielding
From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
Miranda: Revue Pluridisciplinaire du Monde Anglophone
porcelain
rococo
chinoiserie
China
tea
curiosity
title From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
title_full From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
title_fullStr From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
title_full_unstemmed From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
title_short From the curious to the “artinatural”: the meaning of oriental porcelain in 17th and 18th-century English interiors
title_sort from the curious to the artinatural the meaning of oriental porcelain in 17th and 18th century english interiors
topic porcelain
rococo
chinoiserie
China
tea
curiosity
url http://journals.openedition.org/miranda/4390
work_keys_str_mv AT vanessaalayracfielding fromthecurioustotheartinaturalthemeaningoforientalporcelainin17thand18thcenturyenglishinteriors