Nature and the City in Three Norwegian Picturebooks

Representations of urban environments are not very common in Norwegian picturebooks, yet they allow for a nuanced understanding of how nature functions in picturebook iconotexts. This article aims to examine the relationship between nature and the city in the following works: Anda i ødemarka (2012)...

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Main Author: Katarzyna A. Tunkiel
Format: Article
Language:Danish
Published: Scandinavian University Press/Universitetsforlaget 2019-01-01
Series:Barnelitterært Forskningstidsskrift
Subjects:
Online Access:https://www.idunn.no/blft/2019/01/nature_and_the_city_in_three_norwegian_picturebooks
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author Katarzyna A. Tunkiel
author_facet Katarzyna A. Tunkiel
author_sort Katarzyna A. Tunkiel
collection DOAJ
description Representations of urban environments are not very common in Norwegian picturebooks, yet they allow for a nuanced understanding of how nature functions in picturebook iconotexts. This article aims to examine the relationship between nature and the city in the following works: Anda i ødemarka (2012) by Ragnar Aalbu, Fugl (2013) by Lisa Aisato, and Glassklokken (2010) by Bjørn Arild Ersland and Lilian Brøgger. Drawing upon the notion of the chronotope (Bakhtin, 1981), particularly Nikolajeva’s (1996) writings on the chronotope in children’s literature as well as Gifford’s (1999; 2012; 2014) scholarship on the pastoral and post-pastoral, the article provides an ecocritical reading of these picturebooks, inspired by some of the key questions of ecocriticism (Glotfelty, 1996). The analysis considers both the narrative and visual dimensions of the iconotexts, making it possible to shed light on environmental issues addressed in the books.
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spelling doaj.art-bcbc9b01df4a4a94a361a99dab548cf12023-09-02T16:24:17ZdanScandinavian University Press/UniversitetsforlagetBarnelitterært Forskningstidsskrift2000-74932019-01-011011310.18261/issn.2000-7493-2019-01-0818948693Nature and the City in Three Norwegian PicturebooksKatarzyna A. TunkielRepresentations of urban environments are not very common in Norwegian picturebooks, yet they allow for a nuanced understanding of how nature functions in picturebook iconotexts. This article aims to examine the relationship between nature and the city in the following works: Anda i ødemarka (2012) by Ragnar Aalbu, Fugl (2013) by Lisa Aisato, and Glassklokken (2010) by Bjørn Arild Ersland and Lilian Brøgger. Drawing upon the notion of the chronotope (Bakhtin, 1981), particularly Nikolajeva’s (1996) writings on the chronotope in children’s literature as well as Gifford’s (1999; 2012; 2014) scholarship on the pastoral and post-pastoral, the article provides an ecocritical reading of these picturebooks, inspired by some of the key questions of ecocriticism (Glotfelty, 1996). The analysis considers both the narrative and visual dimensions of the iconotexts, making it possible to shed light on environmental issues addressed in the books.https://www.idunn.no/blft/2019/01/nature_and_the_city_in_three_norwegian_picturebooksNorwegian picturebooks; ecocriticism; urbanity; chronotope; pastoralNorwegianpicturebooks;ecocriticism;urbanity;chronotope;pastoral
spellingShingle Katarzyna A. Tunkiel
Nature and the City in Three Norwegian Picturebooks
Barnelitterært Forskningstidsskrift
Norwegian picturebooks; ecocriticism; urbanity; chronotope; pastoral
Norwegianpicturebooks;ecocriticism;urbanity;chronotope;pastoral
title Nature and the City in Three Norwegian Picturebooks
title_full Nature and the City in Three Norwegian Picturebooks
title_fullStr Nature and the City in Three Norwegian Picturebooks
title_full_unstemmed Nature and the City in Three Norwegian Picturebooks
title_short Nature and the City in Three Norwegian Picturebooks
title_sort nature and the city in three norwegian picturebooks
topic Norwegian picturebooks; ecocriticism; urbanity; chronotope; pastoral
Norwegianpicturebooks;ecocriticism;urbanity;chronotope;pastoral
url https://www.idunn.no/blft/2019/01/nature_and_the_city_in_three_norwegian_picturebooks
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