Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness

Danny Treacy’s photographic series, Them (2002-), is made up of large-size self-portraits of the artist camouflaged in second-hand costumes stitched out of fragments of found clothes. The series is a commemorative work paying a tribute to outcasts and socially invisible people. It fosters a sense of...

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Main Author: Valérie Morisson
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2017-10-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/3878
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author Valérie Morisson
author_facet Valérie Morisson
author_sort Valérie Morisson
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description Danny Treacy’s photographic series, Them (2002-), is made up of large-size self-portraits of the artist camouflaged in second-hand costumes stitched out of fragments of found clothes. The series is a commemorative work paying a tribute to outcasts and socially invisible people. It fosters a sense of uncanniness since the faceless figures resemble perverts, monsters or carnivalesque avatars. The resurfacing of the repressed Other is unsettling and brings forth an archetypal wilderness. The work relies on various artistic processes that this paper investigates: collection and recycling, performative embodiment and identification, exposure and exhibition. Central to this work are the notions of abjection, precariousness, social invisibility and shared vulnerability. Them is analysed in the light of social sciences (anthropology, sociology, psychoanalysis and philosophy) as well as contemporary art history. The work and its process are construed as an attempt at resisting fragmentation and ressurecting the abjected.
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spelling doaj.art-bce5d58c6c80426e9f8d224ee2515c9e2022-12-22T01:09:34ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442017-10-015310.4000/ebc.3878Them, Danny Treacy (Manchester, 1975-): Stitching SelflessnessValérie MorissonDanny Treacy’s photographic series, Them (2002-), is made up of large-size self-portraits of the artist camouflaged in second-hand costumes stitched out of fragments of found clothes. The series is a commemorative work paying a tribute to outcasts and socially invisible people. It fosters a sense of uncanniness since the faceless figures resemble perverts, monsters or carnivalesque avatars. The resurfacing of the repressed Other is unsettling and brings forth an archetypal wilderness. The work relies on various artistic processes that this paper investigates: collection and recycling, performative embodiment and identification, exposure and exhibition. Central to this work are the notions of abjection, precariousness, social invisibility and shared vulnerability. Them is analysed in the light of social sciences (anthropology, sociology, psychoanalysis and philosophy) as well as contemporary art history. The work and its process are construed as an attempt at resisting fragmentation and ressurecting the abjected.http://journals.openedition.org/ebc/3878abjectionsocial invisibilityvulnerabilitymonstercarnivalperformance
spellingShingle Valérie Morisson
Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
Études Britanniques Contemporaines
abjection
social invisibility
vulnerability
monster
carnival
performance
title Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
title_full Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
title_fullStr Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
title_full_unstemmed Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
title_short Them, Danny Treacy (Manchester, 1975-): Stitching Selflessness
title_sort them danny treacy manchester 1975 stitching selflessness
topic abjection
social invisibility
vulnerability
monster
carnival
performance
url http://journals.openedition.org/ebc/3878
work_keys_str_mv AT valeriemorisson themdannytreacymanchester1975stitchingselflessness