Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media

The video-sharing social media platform TikTok has experienced a rapid rise in use since its release in 2016. While its popularity is undeniable, at the first glance, it seems to offer features already available on previously existing and well-established platforms such as Instagram, YouTube, and Fa...

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Main Authors: Aparajita Bhandari, Sara Bimo
Format: Article
Language:English
Published: SAGE Publishing 2022-03-01
Series:Social Media + Society
Online Access:https://doi.org/10.1177/20563051221086241
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author Aparajita Bhandari
Sara Bimo
author_facet Aparajita Bhandari
Sara Bimo
author_sort Aparajita Bhandari
collection DOAJ
description The video-sharing social media platform TikTok has experienced a rapid rise in use since its release in 2016. While its popularity is undeniable, at the first glance, it seems to offer features already available on previously existing and well-established platforms such as Instagram, YouTube, and Facebook. To understand processes of self-making on TikTok, we undertake two methods of data collection: a walkthrough of the app and its surrounding environment, and 14 semistructured participant interviews. A qualitative analysis of this data finds three distinct themes emerge: (1) awareness of the algorithm, (2) content without context, and (3) self-creation across platforms. These results show that TikTok departs from existing platforms in the model of self-making it engenders, which we term “the algorithmized self”—a complication of the pre-existing “networked self” framework.
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spelling doaj.art-bd303db53c334f27b7ba856e9da2ddcb2022-12-21T21:55:05ZengSAGE PublishingSocial Media + Society2056-30512022-03-01810.1177/20563051221086241Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social MediaAparajita Bhandari0Sara Bimo1Cornell University, USAYork University, CanadaThe video-sharing social media platform TikTok has experienced a rapid rise in use since its release in 2016. While its popularity is undeniable, at the first glance, it seems to offer features already available on previously existing and well-established platforms such as Instagram, YouTube, and Facebook. To understand processes of self-making on TikTok, we undertake two methods of data collection: a walkthrough of the app and its surrounding environment, and 14 semistructured participant interviews. A qualitative analysis of this data finds three distinct themes emerge: (1) awareness of the algorithm, (2) content without context, and (3) self-creation across platforms. These results show that TikTok departs from existing platforms in the model of self-making it engenders, which we term “the algorithmized self”—a complication of the pre-existing “networked self” framework.https://doi.org/10.1177/20563051221086241
spellingShingle Aparajita Bhandari
Sara Bimo
Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
Social Media + Society
title Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
title_full Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
title_fullStr Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
title_full_unstemmed Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
title_short Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
title_sort why s everyone on tiktok now the algorithmized self and the future of self making on social media
url https://doi.org/10.1177/20563051221086241
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