La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?

In today’s detective story, the dog is no longer the obedient animal, the mute assistant of its master which uses its smell as he uses his detective magnifier. The dog of the contemporary detective novel is no longer the police dog we saw in the films for young people in the fifties: it thinks, it c...

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Main Author: Pierre Michel Pranville
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2020-01-01
Series:Carnets
Subjects:
Online Access:http://journals.openedition.org/carnets/10825
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author Pierre Michel Pranville
author_facet Pierre Michel Pranville
author_sort Pierre Michel Pranville
collection DOAJ
description In today’s detective story, the dog is no longer the obedient animal, the mute assistant of its master which uses its smell as he uses his detective magnifier. The dog of the contemporary detective novel is no longer the police dog we saw in the films for young people in the fifties: it thinks, it communicates with its master, gives advice to him and comforts him. It is more and more distant from the animal and closer to humans. We will find this figure of the salutary dog more in where the plot is built and the character of the detective is at the front of the stage. In the noir novel with its somber atmosphere, the dog is no longer men’s friend. It is its victim or its executioner. It announces danger, disruption or death. It is a fierce, evil animal. Eventually, in all cases, it is nothing but its master’s voice, the mirror of mankind and society.
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spelling doaj.art-bda5131cb81244b48b223e5ccc0943f82022-12-22T00:33:51ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982020-01-011810.4000/carnets.10825La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?Pierre Michel PranvilleIn today’s detective story, the dog is no longer the obedient animal, the mute assistant of its master which uses its smell as he uses his detective magnifier. The dog of the contemporary detective novel is no longer the police dog we saw in the films for young people in the fifties: it thinks, it communicates with its master, gives advice to him and comforts him. It is more and more distant from the animal and closer to humans. We will find this figure of the salutary dog more in where the plot is built and the character of the detective is at the front of the stage. In the noir novel with its somber atmosphere, the dog is no longer men’s friend. It is its victim or its executioner. It announces danger, disruption or death. It is a fierce, evil animal. Eventually, in all cases, it is nothing but its master’s voice, the mirror of mankind and society.http://journals.openedition.org/carnets/10825detective storydogdetectivecompanionvictimexecutioner
spellingShingle Pierre Michel Pranville
La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
Carnets
detective story
dog
detective
companion
victim
executioner
title La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
title_full La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
title_fullStr La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
title_full_unstemmed La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
title_short La représentation du chien dans le roman policier francophone : compagnon, enquêteur, victime ou bourreau ?
title_sort la representation du chien dans le roman policier francophone compagnon enqueteur victime ou bourreau
topic detective story
dog
detective
companion
victim
executioner
url http://journals.openedition.org/carnets/10825
work_keys_str_mv AT pierremichelpranville larepresentationduchiendansleromanpolicierfrancophonecompagnonenqueteurvictimeoubourreau