Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism

While there are major works tracing the themes of belonging and longing for home in contemporary fiction, there is no current study adequately addressing the connection between dystopian novel and nostalgia. This paper aims to illustrate how the Canadian writer Margaret Atwood uses nostalgia as a fr...

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Main Author: Murat Kabak
Format: Article
Language:English
Published: New Bulgarian University 2021-06-01
Series:English Studies at NBU
Subjects:
Online Access:https://esnbu.org/data/files/2021/esnbu.20.1.3.pdf
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author Murat Kabak
author_facet Murat Kabak
author_sort Murat Kabak
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description While there are major works tracing the themes of belonging and longing for home in contemporary fiction, there is no current study adequately addressing the connection between dystopian novel and nostalgia. This paper aims to illustrate how the Canadian writer Margaret Atwood uses nostalgia as a framework to level a critique against technological utopianism in her dystopian novel Oryx and Crake (2003). The first novel in Atwood’s “MaddAddam Trilogy” problematizes utopian thought by focusing on the tension between two utopian projects: the elimination of all suffering and the perfection of human beings by discarding their weaknesses. Despite the claims of scientific objectivity and environmentalism, the novel exposes the religious and human-centered origins of Crake’s technological utopian project. Atwood’s Oryx and Crake is an ambiguous work of science fiction that combines utopian and dystopian elements into its narrative to criticize utopian thought.
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spelling doaj.art-bdbdbe305fad4430bdafc4123d91a6222022-12-21T21:27:48ZengNew Bulgarian UniversityEnglish Studies at NBU2367-57052367-87042021-06-01713750https://doi.org/10.33919/esnbu.21.1.3Margaret Atwood’s “Oryx and Crake” as a Critique of Technological UtopianismMurat Kabak0https://orcid.org/0000-0003-4878-9808Department of English Language and Literature, Istanbul Kültür University, Istanbul, TurkeyWhile there are major works tracing the themes of belonging and longing for home in contemporary fiction, there is no current study adequately addressing the connection between dystopian novel and nostalgia. This paper aims to illustrate how the Canadian writer Margaret Atwood uses nostalgia as a framework to level a critique against technological utopianism in her dystopian novel Oryx and Crake (2003). The first novel in Atwood’s “MaddAddam Trilogy” problematizes utopian thought by focusing on the tension between two utopian projects: the elimination of all suffering and the perfection of human beings by discarding their weaknesses. Despite the claims of scientific objectivity and environmentalism, the novel exposes the religious and human-centered origins of Crake’s technological utopian project. Atwood’s Oryx and Crake is an ambiguous work of science fiction that combines utopian and dystopian elements into its narrative to criticize utopian thought.https://esnbu.org/data/files/2021/esnbu.20.1.3.pdfdystopian fictionmargaret atwoodnostalgiaoryx and craketechnological utopianism
spellingShingle Murat Kabak
Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
English Studies at NBU
dystopian fiction
margaret atwood
nostalgia
oryx and crake
technological utopianism
title Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
title_full Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
title_fullStr Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
title_full_unstemmed Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
title_short Margaret Atwood’s “Oryx and Crake” as a Critique of Technological Utopianism
title_sort margaret atwood s oryx and crake as a critique of technological utopianism
topic dystopian fiction
margaret atwood
nostalgia
oryx and crake
technological utopianism
url https://esnbu.org/data/files/2021/esnbu.20.1.3.pdf
work_keys_str_mv AT muratkabak margaretatwoodsoryxandcrakeasacritiqueoftechnologicalutopianism