Estética post-humana en la obra gráfica de Claudio Romo
This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a...
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Format: | Article |
Language: | English |
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Milano University Press
2021-11-01
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Series: | Altre Modernità |
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Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/16805 |
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author | Claire Mercier |
author_facet | Claire Mercier |
author_sort | Claire Mercier |
collection | DOAJ |
description | This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge. |
first_indexed | 2024-03-12T04:16:23Z |
format | Article |
id | doaj.art-bde3eccee0154c24a61ad413c4a753e1 |
institution | Directory Open Access Journal |
issn | 2035-7680 |
language | English |
last_indexed | 2024-03-12T04:16:23Z |
publishDate | 2021-11-01 |
publisher | Milano University Press |
record_format | Article |
series | Altre Modernità |
spelling | doaj.art-bde3eccee0154c24a61ad413c4a753e12023-09-03T10:39:08ZengMilano University PressAltre Modernità2035-76802021-11-012610.54103/2035-7680/16805Estética post-humana en la obra gráfica de Claudio RomoClaire Mercier0Universidad de TalcaThis paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.https://riviste.unimi.it/index.php/AMonline/article/view/16805Claudio Romo; graphic work; post-humanism; modernity; bestiary |
spellingShingle | Claire Mercier Estética post-humana en la obra gráfica de Claudio Romo Altre Modernità Claudio Romo; graphic work; post-humanism; modernity; bestiary |
title | Estética post-humana en la obra gráfica de Claudio Romo |
title_full | Estética post-humana en la obra gráfica de Claudio Romo |
title_fullStr | Estética post-humana en la obra gráfica de Claudio Romo |
title_full_unstemmed | Estética post-humana en la obra gráfica de Claudio Romo |
title_short | Estética post-humana en la obra gráfica de Claudio Romo |
title_sort | estetica post humana en la obra grafica de claudio romo |
topic | Claudio Romo; graphic work; post-humanism; modernity; bestiary |
url | https://riviste.unimi.it/index.php/AMonline/article/view/16805 |
work_keys_str_mv | AT clairemercier esteticaposthumanaenlaobragraficadeclaudioromo |