Estética post-humana en la obra gráfica de Claudio Romo

This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a...

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Main Author: Claire Mercier
Format: Article
Language:English
Published: Milano University Press 2021-11-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/16805
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author Claire Mercier
author_facet Claire Mercier
author_sort Claire Mercier
collection DOAJ
description This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.
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spelling doaj.art-bde3eccee0154c24a61ad413c4a753e12023-09-03T10:39:08ZengMilano University PressAltre Modernità2035-76802021-11-012610.54103/2035-7680/16805Estética post-humana en la obra gráfica de Claudio RomoClaire Mercier0Universidad de TalcaThis paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.https://riviste.unimi.it/index.php/AMonline/article/view/16805Claudio Romo; graphic work; post-humanism; modernity; bestiary
spellingShingle Claire Mercier
Estética post-humana en la obra gráfica de Claudio Romo
Altre Modernità
Claudio Romo; graphic work; post-humanism; modernity; bestiary
title Estética post-humana en la obra gráfica de Claudio Romo
title_full Estética post-humana en la obra gráfica de Claudio Romo
title_fullStr Estética post-humana en la obra gráfica de Claudio Romo
title_full_unstemmed Estética post-humana en la obra gráfica de Claudio Romo
title_short Estética post-humana en la obra gráfica de Claudio Romo
title_sort estetica post humana en la obra grafica de claudio romo
topic Claudio Romo; graphic work; post-humanism; modernity; bestiary
url https://riviste.unimi.it/index.php/AMonline/article/view/16805
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