Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond
This article investigates the utopian visions of extreme sports as a postwar phenomenon by contrasting it to the violence of the extreme sport practitioner par excellence in postwar/cold war cinema: James Bond. Continental philosophy and cultural studies furnish extreme sport as a manifold of wholes...
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| Format: | Article |
| Language: | English |
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MDPI AG
2020-12-01
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| Series: | Social Sciences |
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| Online Access: | https://www.mdpi.com/2076-0760/9/12/223 |
| _version_ | 1797545774001684480 |
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| author | Jonnie Eriksson Kalle Jonasson |
| author_facet | Jonnie Eriksson Kalle Jonasson |
| author_sort | Jonnie Eriksson |
| collection | DOAJ |
| description | This article investigates the utopian visions of extreme sports as a postwar phenomenon by contrasting it to the violence of the extreme sport practitioner par excellence in postwar/cold war cinema: James Bond. Continental philosophy and cultural studies furnish extreme sport as a manifold of wholesome, meaningful, sustainable, life-enhancing, and environmentally intimate practices, less orientated toward human rivalry than its traditional namesake. Certain attention is thus paid to the movement of sliding in extreme sports that thrive on powerful natural forces such as air, wind, snowy slopes, and big waves, creating an ambivalent field between mastery and letting oneself go. Sliding, or <i>glissade</i>, is treated as a “figure of thought” that Bond is mustered to embody and enact with his extreme athletic repertoire. The analysis of James Bond’s extreme sport sliding is contrasted to the musings of <i>glissade</i> philosophers such as Jean-Paul Sartre, Gilles Deleuze, and Michel Serres. It is concluded that if there is utopianism in James Bond’s extreme sport performances, it is in the sliding itself, while the attaining of that state is paved with violence towards everything material. The article reinforces the concept of the extreme in relation to sport as a processual tool, rather than a category describing a fixed set of characteristics adhering to a certain practice. |
| first_indexed | 2024-03-10T14:19:46Z |
| format | Article |
| id | doaj.art-be43145da3ac43a49b4c10c4fcba7666 |
| institution | Directory Open Access Journal |
| issn | 2076-0760 |
| language | English |
| last_indexed | 2024-03-10T14:19:46Z |
| publishDate | 2020-12-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Social Sciences |
| spelling | doaj.art-be43145da3ac43a49b4c10c4fcba76662023-11-20T23:28:55ZengMDPI AGSocial Sciences2076-07602020-12-0191222310.3390/socsci9120223Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James BondJonnie Eriksson0Kalle Jonasson1School of Education, Humanities and Social Sciences, Halmstad University, 301 18 Halmstad, SwedenSchool of Education, Humanities and Social Sciences, Halmstad University, 301 18 Halmstad, SwedenThis article investigates the utopian visions of extreme sports as a postwar phenomenon by contrasting it to the violence of the extreme sport practitioner par excellence in postwar/cold war cinema: James Bond. Continental philosophy and cultural studies furnish extreme sport as a manifold of wholesome, meaningful, sustainable, life-enhancing, and environmentally intimate practices, less orientated toward human rivalry than its traditional namesake. Certain attention is thus paid to the movement of sliding in extreme sports that thrive on powerful natural forces such as air, wind, snowy slopes, and big waves, creating an ambivalent field between mastery and letting oneself go. Sliding, or <i>glissade</i>, is treated as a “figure of thought” that Bond is mustered to embody and enact with his extreme athletic repertoire. The analysis of James Bond’s extreme sport sliding is contrasted to the musings of <i>glissade</i> philosophers such as Jean-Paul Sartre, Gilles Deleuze, and Michel Serres. It is concluded that if there is utopianism in James Bond’s extreme sport performances, it is in the sliding itself, while the attaining of that state is paved with violence towards everything material. The article reinforces the concept of the extreme in relation to sport as a processual tool, rather than a category describing a fixed set of characteristics adhering to a certain practice.https://www.mdpi.com/2076-0760/9/12/223James Bondextreme sportMichel Serresviolenceutopiafigure of thought |
| spellingShingle | Jonnie Eriksson Kalle Jonasson Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond Social Sciences James Bond extreme sport Michel Serres violence utopia figure of thought |
| title | Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond |
| title_full | Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond |
| title_fullStr | Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond |
| title_full_unstemmed | Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond |
| title_short | Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond |
| title_sort | figures of postwar sliding utopia and violence in the extreme sport performances of james bond |
| topic | James Bond extreme sport Michel Serres violence utopia figure of thought |
| url | https://www.mdpi.com/2076-0760/9/12/223 |
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