Suburban Identity in the Poetry of John Updike

This paper provides a close reading of a representative selection of suburban poems by the American writer John Updike (1932–2009). It also draws upon the existing scholarship by suburban studies historians (including Kenneth Jackson, Dolores Hayden, John Archer, and James Howard Kunstler), who have...

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Main Author: Flajšar Jiří
Format: Article
Language:English
Published: Charles University 2019-07-01
Series:Prague Journal of English Studies
Subjects:
Online Access:https://doi.org/10.2478/pjes-2019-0003
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author Flajšar Jiří
author_facet Flajšar Jiří
author_sort Flajšar Jiří
collection DOAJ
description This paper provides a close reading of a representative selection of suburban poems by the American writer John Updike (1932–2009). It also draws upon the existing scholarship by suburban studies historians (including Kenneth Jackson, Dolores Hayden, John Archer, and James Howard Kunstler), who have argued for the cultural importance of American suburbia in fostering identity, and develops the argument by literary critics including Jo Gill, Peter Monacell, and Robert von Hallberg, who have championed the existence of a viable suburban tradition in postwar American poetry. By scrutinizing poems from Updike’s early poetry, represented by “Shillington”, up to his closing lyric opus, “Endpoint”, the paper argues that Updike’s unrecognized importance is that of a major postwar poet whose lyric work chronicles, in memorable, diverse, and important ways, the construction of individual identity within suburbia, in a dominant setting for most Americans from the 1950s up to the present.
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spelling doaj.art-be44fef0a1b3457da7160ed2bbdb9d972024-04-02T17:20:55ZengCharles UniversityPrague Journal of English Studies2336-26852019-07-0181355410.2478/pjes-2019-0003pjes-2019-0003Suburban Identity in the Poetry of John UpdikeFlajšar Jiří0Palacký University, Olomouc, Czech RepublicThis paper provides a close reading of a representative selection of suburban poems by the American writer John Updike (1932–2009). It also draws upon the existing scholarship by suburban studies historians (including Kenneth Jackson, Dolores Hayden, John Archer, and James Howard Kunstler), who have argued for the cultural importance of American suburbia in fostering identity, and develops the argument by literary critics including Jo Gill, Peter Monacell, and Robert von Hallberg, who have championed the existence of a viable suburban tradition in postwar American poetry. By scrutinizing poems from Updike’s early poetry, represented by “Shillington”, up to his closing lyric opus, “Endpoint”, the paper argues that Updike’s unrecognized importance is that of a major postwar poet whose lyric work chronicles, in memorable, diverse, and important ways, the construction of individual identity within suburbia, in a dominant setting for most Americans from the 1950s up to the present.https://doi.org/10.2478/pjes-2019-0003john updikeamerican poetrysuburbiacriticismhistory20th century
spellingShingle Flajšar Jiří
Suburban Identity in the Poetry of John Updike
Prague Journal of English Studies
john updike
american poetry
suburbia
criticism
history
20th century
title Suburban Identity in the Poetry of John Updike
title_full Suburban Identity in the Poetry of John Updike
title_fullStr Suburban Identity in the Poetry of John Updike
title_full_unstemmed Suburban Identity in the Poetry of John Updike
title_short Suburban Identity in the Poetry of John Updike
title_sort suburban identity in the poetry of john updike
topic john updike
american poetry
suburbia
criticism
history
20th century
url https://doi.org/10.2478/pjes-2019-0003
work_keys_str_mv AT flajsarjiri suburbanidentityinthepoetryofjohnupdike