Oriental Consciousness in André Masson’s Automatic Paintings
André Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on...
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| Format: | Article |
| Language: | English |
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EDP Sciences
2024-01-01
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| Series: | SHS Web of Conferences |
| Online Access: | https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_03001.pdf |
| _version_ | 1797268867073966080 |
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| author | Qian Xingyu |
| author_facet | Qian Xingyu |
| author_sort | Qian Xingyu |
| collection | DOAJ |
| description | André Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on Chinese ink paintings of the Song Dynasty, abandoning perspective and playing the important role of white space. This paper tries to sort out the lineage of the emergence of Oriental consciousness in Masson's automatic paintings and explains the specific expression of Chinese painting in his art. |
| first_indexed | 2024-04-25T01:39:18Z |
| format | Article |
| id | doaj.art-be4dc0b371544ce692230c59bade358a |
| institution | Directory Open Access Journal |
| issn | 2261-2424 |
| language | English |
| last_indexed | 2024-04-25T01:39:18Z |
| publishDate | 2024-01-01 |
| publisher | EDP Sciences |
| record_format | Article |
| series | SHS Web of Conferences |
| spelling | doaj.art-be4dc0b371544ce692230c59bade358a2024-03-08T07:52:09ZengEDP SciencesSHS Web of Conferences2261-24242024-01-011830300110.1051/shsconf/202418303001shsconf_icpahd2024_03001Oriental Consciousness in André Masson’s Automatic PaintingsQian Xingyu0Xi'an Academy of Fine ArtsAndré Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on Chinese ink paintings of the Song Dynasty, abandoning perspective and playing the important role of white space. This paper tries to sort out the lineage of the emergence of Oriental consciousness in Masson's automatic paintings and explains the specific expression of Chinese painting in his art.https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_03001.pdf |
| spellingShingle | Qian Xingyu Oriental Consciousness in André Masson’s Automatic Paintings SHS Web of Conferences |
| title | Oriental Consciousness in André Masson’s Automatic Paintings |
| title_full | Oriental Consciousness in André Masson’s Automatic Paintings |
| title_fullStr | Oriental Consciousness in André Masson’s Automatic Paintings |
| title_full_unstemmed | Oriental Consciousness in André Masson’s Automatic Paintings |
| title_short | Oriental Consciousness in André Masson’s Automatic Paintings |
| title_sort | oriental consciousness in andre masson s automatic paintings |
| url | https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_03001.pdf |
| work_keys_str_mv | AT qianxingyu orientalconsciousnessinandremassonsautomaticpaintings |