La liberté du double cadre

In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.

Bibliographic Details
Main Author: Vincent Amiel
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2022-12-01
Series:Images Re-Vues
Subjects:
Online Access:http://journals.openedition.org/imagesrevues/12650
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author Vincent Amiel
author_facet Vincent Amiel
author_sort Vincent Amiel
collection DOAJ
description In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.
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publisher Centre d´Histoire et Théorie des Arts
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spelling doaj.art-be584cf4b3e6445aa32352e32f50b5a72023-07-04T09:08:51ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012022-12-011010.4000/imagesrevues.12650La liberté du double cadreVincent AmielIn his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.http://journals.openedition.org/imagesrevues/12650over framingspaceframeAntonionithe passenger
spellingShingle Vincent Amiel
La liberté du double cadre
Images Re-Vues
over framing
space
frame
Antonioni
the passenger
title La liberté du double cadre
title_full La liberté du double cadre
title_fullStr La liberté du double cadre
title_full_unstemmed La liberté du double cadre
title_short La liberté du double cadre
title_sort la liberte du double cadre
topic over framing
space
frame
Antonioni
the passenger
url http://journals.openedition.org/imagesrevues/12650
work_keys_str_mv AT vincentamiel lalibertedudoublecadre