“We All Complete”: Kazuo Ishiguro and the Posthuman Imagination

The hypothesis of cloning human life has always been an imaginative kaleidoscope of ‘posthuman’ possibilities. The development of bioengineering is now making this hypothesis even more palpable, raising more questions. Could man generate life? If so, what ends might justify it? Are extending life ex...

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Main Author: Luigi Marfè
Format: Article
Language:deu
Published: Università degli Studi di Torino 2016-12-01
Series:CoSMO
Subjects:
Online Access:https://www.ojs.unito.it/index.php/COSMO/article/view/1802
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author Luigi Marfè
author_facet Luigi Marfè
author_sort Luigi Marfè
collection DOAJ
description The hypothesis of cloning human life has always been an imaginative kaleidoscope of ‘posthuman’ possibilities. The development of bioengineering is now making this hypothesis even more palpable, raising more questions. Could man generate life? If so, what ends might justify it? Are extending life expectancy and eradicating diseases targets that make everything permissible? How far is medical research changing man’s life? Is it still possible to discern what is ‘natural’ and what is ‘artificial’? What are the differences between human beings and human clones? What would it feel like to be a clone? Never Let Me Go (2005) is a novel by Kazuo Ishiguro that challenges these questions, imagining a society where clones are used as organ donors to cure people of diseases such as tumours and leukaemia. This article analyses Ishiguro’s novel in the tradition of dystopian fiction, and focuses on his ‘posthuman’ reworking of classical myths, such as that of Orpheus and Eurydice, to describe the metamorphoses of a biotechnological age.
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spelling doaj.art-be89f0d3727643bc9eb6f5201204c9882022-12-21T23:27:29ZdeuUniversità degli Studi di TorinoCoSMO2281-66582016-12-01910.13135/2281-6658/1802“We All Complete”: Kazuo Ishiguro and the Posthuman ImaginationLuigi Marfè0Università di TorinoThe hypothesis of cloning human life has always been an imaginative kaleidoscope of ‘posthuman’ possibilities. The development of bioengineering is now making this hypothesis even more palpable, raising more questions. Could man generate life? If so, what ends might justify it? Are extending life expectancy and eradicating diseases targets that make everything permissible? How far is medical research changing man’s life? Is it still possible to discern what is ‘natural’ and what is ‘artificial’? What are the differences between human beings and human clones? What would it feel like to be a clone? Never Let Me Go (2005) is a novel by Kazuo Ishiguro that challenges these questions, imagining a society where clones are used as organ donors to cure people of diseases such as tumours and leukaemia. This article analyses Ishiguro’s novel in the tradition of dystopian fiction, and focuses on his ‘posthuman’ reworking of classical myths, such as that of Orpheus and Eurydice, to describe the metamorphoses of a biotechnological age.https://www.ojs.unito.it/index.php/COSMO/article/view/1802biotechnologyclonesposthumanliteraturedystopia
spellingShingle Luigi Marfè
“We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
CoSMO
biotechnology
clones
posthuman
literature
dystopia
title “We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
title_full “We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
title_fullStr “We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
title_full_unstemmed “We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
title_short “We All Complete”: Kazuo Ishiguro and the Posthuman Imagination
title_sort we all complete kazuo ishiguro and the posthuman imagination
topic biotechnology
clones
posthuman
literature
dystopia
url https://www.ojs.unito.it/index.php/COSMO/article/view/1802
work_keys_str_mv AT luigimarfe weallcompletekazuoishiguroandtheposthumanimagination