HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY
Although there are many studies about the Gothic architecture, we still don’t know many aspects of the overall design of the building. Probably, the design process began with a general idea drawn in the trace, and later the building was designed at the same time that it was built. Particularly, the...
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Format: | Article |
Language: | Spanish |
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Universitat Politècnica de València
2012-09-01
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Series: | EGA |
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Online Access: | https://polipapers.upv.es/index.php/EGA/article/view/1441 |
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author | Antonio Jesús García Ortega |
author_facet | Antonio Jesús García Ortega |
author_sort | Antonio Jesús García Ortega |
collection | DOAJ |
description | Although there are many studies about the Gothic architecture, we still don’t know many aspects of the overall design of the building. Probably, the design process began with a general idea drawn in the trace, and later the building was designed at the same time that it was built. Particularly, the study of an Andalusian church detects a pragmatic modus operandi, linked to the construction process, and perhaps often used at the time. The building´s ground-plans and elevations were designed using orthogonal grids, simple geometric tracings and the same metrical pattern for all the work. |
first_indexed | 2024-12-13T12:20:05Z |
format | Article |
id | doaj.art-be8e62ea16ca44f1a4c5f06ff0c106e1 |
institution | Directory Open Access Journal |
issn | 1133-6137 2254-6103 |
language | Spanish |
last_indexed | 2024-12-13T12:20:05Z |
publishDate | 2012-09-01 |
publisher | Universitat Politècnica de València |
record_format | Article |
series | EGA |
spelling | doaj.art-be8e62ea16ca44f1a4c5f06ff0c106e12022-12-21T23:46:37ZspaUniversitat Politècnica de ValènciaEGA1133-61372254-61032012-09-01172019420110.4995/ega.2012.14411202HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDYAntonio Jesús García OrtegaAlthough there are many studies about the Gothic architecture, we still don’t know many aspects of the overall design of the building. Probably, the design process began with a general idea drawn in the trace, and later the building was designed at the same time that it was built. Particularly, the study of an Andalusian church detects a pragmatic modus operandi, linked to the construction process, and perhaps often used at the time. The building´s ground-plans and elevations were designed using orthogonal grids, simple geometric tracings and the same metrical pattern for all the work.https://polipapers.upv.es/index.php/EGA/article/view/1441góticodiseñotrazageometríaiglesia |
spellingShingle | Antonio Jesús García Ortega HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY EGA gótico diseño traza geometría iglesia |
title | HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY |
title_full | HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY |
title_fullStr | HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY |
title_full_unstemmed | HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY |
title_short | HOW TO TRACE A GOTHIC CHURCH? SOME KEYS AND A CASE STUDY |
title_sort | how to trace a gothic church some keys and a case study |
topic | gótico diseño traza geometría iglesia |
url | https://polipapers.upv.es/index.php/EGA/article/view/1441 |
work_keys_str_mv | AT antoniojesusgarciaortega howtotraceagothicchurchsomekeysandacasestudy |