The Yorùbá Royal Bards

The paper describes the social function performed by the Yorùbá royal bards in the society. The data are from the Oyo-Yorùbá communities, but mutatis mutandis they can be seen to represent all the Yorùbáland, because cultural variation between different areas is limited. The bards sing and chant in...

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Main Author: Akintunde Akinyemi
Format: Article
Language:English
Published: Nordic Africa Research Network 2001-12-01
Series:Nordic Journal of African Studies
Subjects:
Online Access:https://www.njas.fi/njas/article/view/593
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author Akintunde Akinyemi
author_facet Akintunde Akinyemi
author_sort Akintunde Akinyemi
collection DOAJ
description The paper describes the social function performed by the Yorùbá royal bards in the society. The data are from the Oyo-Yorùbá communities, but mutatis mutandis they can be seen to represent all the Yorùbáland, because cultural variation between different areas is limited. The bards sing and chant in honour of the kings, and they also announce the advent of important guests by drumming or piping the names and attributes of such guests as they enter the royal palace. The social responsibilities of royal bards include entertainment, the description of the qualities of the character and physical appearance of patrons, historical documentation, and image-making for their patrons. Socio-economic changes, however, have caused considerable changes in the roles of these bards. Since the economic status and the social prestige of the traditional rulers has declined, most of the male bards have become freelance minstrels in addition to the traditional trade, and they go about entertaining the public at social gatherings and even on the street. Female bards, on the other hand, have stayed loyal to the palace. (Ed.)
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spelling doaj.art-beb31180486240a1bc11ed74946528172023-09-03T13:37:59ZengNordic Africa Research NetworkNordic Journal of African Studies1459-94652001-12-0110110.53228/njas.v10i1.593The Yorùbá Royal BardsAkintunde Akinyemi0Obafemi Awolowo University The paper describes the social function performed by the Yorùbá royal bards in the society. The data are from the Oyo-Yorùbá communities, but mutatis mutandis they can be seen to represent all the Yorùbáland, because cultural variation between different areas is limited. The bards sing and chant in honour of the kings, and they also announce the advent of important guests by drumming or piping the names and attributes of such guests as they enter the royal palace. The social responsibilities of royal bards include entertainment, the description of the qualities of the character and physical appearance of patrons, historical documentation, and image-making for their patrons. Socio-economic changes, however, have caused considerable changes in the roles of these bards. Since the economic status and the social prestige of the traditional rulers has declined, most of the male bards have become freelance minstrels in addition to the traditional trade, and they go about entertaining the public at social gatherings and even on the street. Female bards, on the other hand, have stayed loyal to the palace. (Ed.) https://www.njas.fi/njas/article/view/593Divine kingshipYorubabard
spellingShingle Akintunde Akinyemi
The Yorùbá Royal Bards
Nordic Journal of African Studies
Divine kingship
Yoruba
bard
title The Yorùbá Royal Bards
title_full The Yorùbá Royal Bards
title_fullStr The Yorùbá Royal Bards
title_full_unstemmed The Yorùbá Royal Bards
title_short The Yorùbá Royal Bards
title_sort yoruba royal bards
topic Divine kingship
Yoruba
bard
url https://www.njas.fi/njas/article/view/593
work_keys_str_mv AT akintundeakinyemi theyorubaroyalbards
AT akintundeakinyemi yorubaroyalbards