Anguish in Crime and Punishment
This article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its...
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Format: | Article |
Language: | English |
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2018-06-01
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Series: | Достоевский и мировая культура: Филологический журнал |
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Online Access: | http://dostmirkult.ru/images/DOCT_2018-1a-59-68.pdf |
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author | Deborah A. Martinsen |
author_facet | Deborah A. Martinsen |
author_sort | Deborah A. Martinsen |
collection | DOAJ |
description | This article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its object, a transformation that not only signals the healing of his divided self but also reinforces the novel’s message of love and faith. |
first_indexed | 2024-12-14T08:51:27Z |
format | Article |
id | doaj.art-bec041e9dc6e4dc0a25b90a5ecc92626 |
institution | Directory Open Access Journal |
issn | 2619-0311 2712-8512 |
language | English |
last_indexed | 2024-12-14T08:51:27Z |
publishDate | 2018-06-01 |
publisher | Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
record_format | Article |
series | Достоевский и мировая культура: Филологический журнал |
spelling | doaj.art-bec041e9dc6e4dc0a25b90a5ecc926262022-12-21T23:09:02ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureДостоевский и мировая культура: Филологический журнал2619-03112712-85122018-06-011596810.22455/2619-0311-2018-1-59-68Anguish in Crime and PunishmentDeborah A. Martinsen0Columbia UniversityThis article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its object, a transformation that not only signals the healing of his divided self but also reinforces the novel’s message of love and faith.http://dostmirkult.ru/images/DOCT_2018-1a-59-68.pdftoska / тоскатосковатьanguishmoral emotionsinterconnection |
spellingShingle | Deborah A. Martinsen Anguish in Crime and Punishment Достоевский и мировая культура: Филологический журнал toska / тоска тосковать anguish moral emotions interconnection |
title | Anguish in Crime and Punishment |
title_full | Anguish in Crime and Punishment |
title_fullStr | Anguish in Crime and Punishment |
title_full_unstemmed | Anguish in Crime and Punishment |
title_short | Anguish in Crime and Punishment |
title_sort | anguish in crime and punishment |
topic | toska / тоска тосковать anguish moral emotions interconnection |
url | http://dostmirkult.ru/images/DOCT_2018-1a-59-68.pdf |
work_keys_str_mv | AT deborahamartinsen anguishincrimeandpunishment |