Identity, Borders and the Environment

This article examines the works of two contemporary French crime writers, Colin Niel and Antonin Varenne, whose crime novels are set in marginalized spaces and places in France: rural areas in the Hexagone and French Guiana. Why did Niel and Varenne choose to set their novels in the “margins of the...

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Main Author: Alice Jacquelin
Format: Article
Language:Danish
Published: Aalborg University Open Publishing 2021-04-01
Series:Akademisk Kvarter
Subjects:
Online Access:https://journals.aau.dk/index.php/ak/article/view/6605
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author Alice Jacquelin
author_facet Alice Jacquelin
author_sort Alice Jacquelin
collection DOAJ
description This article examines the works of two contemporary French crime writers, Colin Niel and Antonin Varenne, whose crime novels are set in marginalized spaces and places in France: rural areas in the Hexagone and French Guiana. Why did Niel and Varenne choose to set their novels in the “margins of the society” (Gorrara 2003, 16)? Do these novels follow the French néo-noir tradition of social critique and politically engaged fiction (Levet 2006)? To which extent do they fall within the spectrum of the ethnopolar, or under the umbrella of postcolonial fiction? The seven noir novels in our corpus depict French outskirts, both within metropolitan France and in overseas territories, raising burning questions about French identity and national borders. But their divergence on the environmental issue draws a clear political fracture between the two authors.
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spelling doaj.art-bed20ae89f09493f84a614b40762acb32024-04-02T16:37:55ZdanAalborg University Open PublishingAkademisk Kvarter1904-00082021-04-012210.5278/ojs.academicquarter.vi22.6605Identity, Borders and the Environment Alice JacquelinThis article examines the works of two contemporary French crime writers, Colin Niel and Antonin Varenne, whose crime novels are set in marginalized spaces and places in France: rural areas in the Hexagone and French Guiana. Why did Niel and Varenne choose to set their novels in the “margins of the society” (Gorrara 2003, 16)? Do these novels follow the French néo-noir tradition of social critique and politically engaged fiction (Levet 2006)? To which extent do they fall within the spectrum of the ethnopolar, or under the umbrella of postcolonial fiction? The seven noir novels in our corpus depict French outskirts, both within metropolitan France and in overseas territories, raising burning questions about French identity and national borders. But their divergence on the environmental issue draws a clear political fracture between the two authors. https://journals.aau.dk/index.php/ak/article/view/6605Noir novel, French Guiana, Ecofiction, Rurality
spellingShingle Alice Jacquelin
Identity, Borders and the Environment
Akademisk Kvarter
Noir novel, French Guiana, Ecofiction, Rurality
title Identity, Borders and the Environment
title_full Identity, Borders and the Environment
title_fullStr Identity, Borders and the Environment
title_full_unstemmed Identity, Borders and the Environment
title_short Identity, Borders and the Environment
title_sort identity borders and the environment
topic Noir novel, French Guiana, Ecofiction, Rurality
url https://journals.aau.dk/index.php/ak/article/view/6605
work_keys_str_mv AT alicejacquelin identitybordersandtheenvironment