The Past Isn’t What It Used To Be

Critical feminist theorists have pointed out how the idea of the singular, revolutionary Act tends to reinforce masculinist and colonialist imaginaries. In this essay, I argue for the need to elaborate other ways of revolting. Through a reading of Saidiya Hartman’s Wayward Lives, Beautiful Experime...

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Main Author: Fanny Wendt Höjer
Format: Article
Language:Danish
Published: Föreningen för utgivande av Tidskrift för litteraturvetenskap 2020-01-01
Series:Tidskrift för Litteraturvetenskap
Subjects:
Online Access:https://publicera.kb.se/tfl/article/view/6109
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description Critical feminist theorists have pointed out how the idea of the singular, revolutionary Act tends to reinforce masculinist and colonialist imaginaries. In this essay, I argue for the need to elaborate other ways of revolting. Through a reading of Saidiya Hartman’s Wayward Lives, Beautiful Experiments, I explore ways to consider the relationship between embodied acts of resistance and past bodies’ gestures, as a strategy to reformulate resistance away from the single Act, often enacted by an autonomous, male subject. In Wayward Lives, Beautiful Experiments, Hartman merges archival research with fictional storytelling, giving voice to young, black women in the United States in the early 20th century. I argue that, when reading Hartman’s text through feminist ontologies of interdependency, acts of revolt appear as collective gestures, re-appearing through time, rather than as singular events. thus, this reading of Wayward Lives, Beautiful Experiments, demonstrates how we can rethink the singular Act of resistance.
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spelling doaj.art-bee8fb4227d04b8c98f4f683385570902023-10-16T09:26:34ZdanFöreningen för utgivande av Tidskrift för litteraturvetenskapTidskrift för Litteraturvetenskap2001-094X2020-01-01502-310.54797/tfl.v50i2-3.6109The Past Isn’t What It Used To BeFanny Wendt Höjer Critical feminist theorists have pointed out how the idea of the singular, revolutionary Act tends to reinforce masculinist and colonialist imaginaries. In this essay, I argue for the need to elaborate other ways of revolting. Through a reading of Saidiya Hartman’s Wayward Lives, Beautiful Experiments, I explore ways to consider the relationship between embodied acts of resistance and past bodies’ gestures, as a strategy to reformulate resistance away from the single Act, often enacted by an autonomous, male subject. In Wayward Lives, Beautiful Experiments, Hartman merges archival research with fictional storytelling, giving voice to young, black women in the United States in the early 20th century. I argue that, when reading Hartman’s text through feminist ontologies of interdependency, acts of revolt appear as collective gestures, re-appearing through time, rather than as singular events. thus, this reading of Wayward Lives, Beautiful Experiments, demonstrates how we can rethink the singular Act of resistance. https://publicera.kb.se/tfl/article/view/6109critical fabulationresistancefeminist temporalitiesrevolutionary acts
spellingShingle Fanny Wendt Höjer
The Past Isn’t What It Used To Be
Tidskrift för Litteraturvetenskap
critical fabulation
resistance
feminist temporalities
revolutionary acts
title The Past Isn’t What It Used To Be
title_full The Past Isn’t What It Used To Be
title_fullStr The Past Isn’t What It Used To Be
title_full_unstemmed The Past Isn’t What It Used To Be
title_short The Past Isn’t What It Used To Be
title_sort past isn t what it used to be
topic critical fabulation
resistance
feminist temporalities
revolutionary acts
url https://publicera.kb.se/tfl/article/view/6109
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