An Attitude Towards the work and art of Traditional porcelain repairing
One of the forgotten traditional arts and crafts is repairing porcelain art. Documentation of experiences, knowledge, and techniques used in this profession are necessary to preserve Iranian culture. Field and library studies and interviews with experts and veterans of this art were used to collect...
| Main Authors: | , |
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| Format: | Article |
| Language: | fas |
| Published: |
Allameh Tabataba'i University Press
2020-09-01
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| Series: | Dānishhā-yi būmī-i Īrān |
| Subjects: | |
| Online Access: | https://qjik.atu.ac.ir/article_13515_bf93ad208908da6bdb50914c431cb52f.pdf |
| _version_ | 1797208601890127872 |
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| author | Hamid reza Arami parche baf sajad moazen |
| author_facet | Hamid reza Arami parche baf sajad moazen |
| author_sort | Hamid reza Arami parche baf |
| collection | DOAJ |
| description | One of the forgotten traditional arts and crafts is repairing porcelain art. Documentation of experiences, knowledge, and techniques used in this profession are necessary to preserve Iranian culture. Field and library studies and interviews with experts and veterans of this art were used to collect information. This article discusses the introduction of tools, materials, and preparation methods. The repair steps of porcelain include assembling broken parts, making holes, assembling clamps, gluing, and strengthening. Types of traditional natural, plant, and animal adhesives and lime to prepare some of them, due to their resistance to moisture and sealing, are used in this art. The importance of studying techniques and materials of these professions is Recognition and protection of traditional industries will be followed by the preservation of ethics and authentic Iranian traditions. This study is part of the restoration and protection of cultural property. The conservation of cultural heritage is not limited to architectural works and tangible heritage. Cultural heritage has a comprehensiveness, which includes tangible and intangible components. |
| first_indexed | 2024-04-24T09:41:24Z |
| format | Article |
| id | doaj.art-bf0397ee858541478b9675b6a8f30e9f |
| institution | Directory Open Access Journal |
| issn | 2345-6019 2538-2543 |
| language | fas |
| last_indexed | 2024-04-24T09:41:24Z |
| publishDate | 2020-09-01 |
| publisher | Allameh Tabataba'i University Press |
| record_format | Article |
| series | Dānishhā-yi būmī-i Īrān |
| spelling | doaj.art-bf0397ee858541478b9675b6a8f30e9f2024-04-15T06:38:01ZfasAllameh Tabataba'i University PressDānishhā-yi būmī-i Īrān2345-60192538-25432020-09-0171442546810.22054/qjik.2021.62034.127713515An Attitude Towards the work and art of Traditional porcelain repairingHamid reza Arami parche baf0sajad moazen1MA Student in Conservation of Historical Buildings and Urban Fabrics (Architectural Heritage), Faculty of Architecture and Urbanism, Imam Khomeini International University, Qazvin, Iran.Assistant professor, School of Architecture and environmental design, Iran University of science and technologyOne of the forgotten traditional arts and crafts is repairing porcelain art. Documentation of experiences, knowledge, and techniques used in this profession are necessary to preserve Iranian culture. Field and library studies and interviews with experts and veterans of this art were used to collect information. This article discusses the introduction of tools, materials, and preparation methods. The repair steps of porcelain include assembling broken parts, making holes, assembling clamps, gluing, and strengthening. Types of traditional natural, plant, and animal adhesives and lime to prepare some of them, due to their resistance to moisture and sealing, are used in this art. The importance of studying techniques and materials of these professions is Recognition and protection of traditional industries will be followed by the preservation of ethics and authentic Iranian traditions. This study is part of the restoration and protection of cultural property. The conservation of cultural heritage is not limited to architectural works and tangible heritage. Cultural heritage has a comprehensiveness, which includes tangible and intangible components.https://qjik.atu.ac.ir/article_13515_bf93ad208908da6bdb50914c431cb52f.pdfporcelain repairingpottery restorationlimetraditional adhesives |
| spellingShingle | Hamid reza Arami parche baf sajad moazen An Attitude Towards the work and art of Traditional porcelain repairing Dānishhā-yi būmī-i Īrān porcelain repairing pottery restoration lime traditional adhesives |
| title | An Attitude Towards the work and art of Traditional porcelain repairing |
| title_full | An Attitude Towards the work and art of Traditional porcelain repairing |
| title_fullStr | An Attitude Towards the work and art of Traditional porcelain repairing |
| title_full_unstemmed | An Attitude Towards the work and art of Traditional porcelain repairing |
| title_short | An Attitude Towards the work and art of Traditional porcelain repairing |
| title_sort | attitude towards the work and art of traditional porcelain repairing |
| topic | porcelain repairing pottery restoration lime traditional adhesives |
| url | https://qjik.atu.ac.ir/article_13515_bf93ad208908da6bdb50914c431cb52f.pdf |
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