PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV

The author of the given article analyzes the piano composition by Snejana Pâslari „Trei portrete musicale” examined in terms of its content and form. The conclusion is made that the musical language and the specifics of composition and dramaturgy of this composition are determined by its artistic id...

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Main Author: CABACOV, DMITRI
Format: Article
Language:deu
Published: Notograf Prim 2022-09-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:https://revista.amtap.md/wp-content/files_mf/166272513216.Cabacov_Particularitatile_limbajului_muzical.pdf
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author CABACOV, DMITRI
author_facet CABACOV, DMITRI
author_sort CABACOV, DMITRI
collection DOAJ
description The author of the given article analyzes the piano composition by Snejana Pâslari „Trei portrete musicale” examined in terms of its content and form. The conclusion is made that the musical language and the specifics of composition and dramaturgy of this composition are determined by its artistic idea and the composer’s individual style related to the implementation of the late romanticism stylistic paradigm.
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spelling doaj.art-bf15f8a33bbd441d82e22ed38b84b0392022-12-22T04:24:54ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312022-09-01421/428690PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOVCABACOV, DMITRI0Pridnestrovian State Institute of Arts named after A.G. RubinshtenThe author of the given article analyzes the piano composition by Snejana Pâslari „Trei portrete musicale” examined in terms of its content and form. The conclusion is made that the musical language and the specifics of composition and dramaturgy of this composition are determined by its artistic idea and the composer’s individual style related to the implementation of the late romanticism stylistic paradigm.https://revista.amtap.md/wp-content/files_mf/166272513216.Cabacov_Particularitatile_limbajului_muzical.pdfcomposition for pianoformgenrestyleromanticismsnejana pîslari
spellingShingle CABACOV, DMITRI
PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
composition for piano
form
genre
style
romanticism
snejana pîslari
title PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
title_full PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
title_fullStr PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
title_full_unstemmed PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
title_short PECULIARITIES OF THE MUSICAL LANGUAGE AND COMPOSITION IN SNEJANA PÎSLARI’S COMPOSITION FOR PIANO TREI PORTRETE MUZICALE: СHOPIN, SKRIABIN, RACHMANINOV
title_sort peculiarities of the musical language and composition in snejana pislari s composition for piano trei portrete muzicale сhopin skriabin rachmaninov
topic composition for piano
form
genre
style
romanticism
snejana pîslari
url https://revista.amtap.md/wp-content/files_mf/166272513216.Cabacov_Particularitatile_limbajului_muzical.pdf
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