La réalité en direct, l’actualité en spectacle (vivant)
This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of t...
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| Format: | Article |
| Language: | fra |
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Université Laval
2017-07-01
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| Series: | Communication |
| Subjects: | |
| Online Access: | http://journals.openedition.org/communication/7245 |
| _version_ | 1797360526149287936 |
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| author | Zoé Ververopoulou |
| author_facet | Zoé Ververopoulou |
| author_sort | Zoé Ververopoulou |
| collection | DOAJ |
| description | This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create. |
| first_indexed | 2024-03-08T15:40:46Z |
| format | Article |
| id | doaj.art-bfc80aa443f240d298e10c9b7db371e6 |
| institution | Directory Open Access Journal |
| issn | 1189-3788 1920-7344 |
| language | fra |
| last_indexed | 2024-03-08T15:40:46Z |
| publishDate | 2017-07-01 |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj.art-bfc80aa443f240d298e10c9b7db371e62024-01-09T15:02:12ZfraUniversité LavalCommunication1189-37881920-73442017-07-0134210.4000/communication.7245La réalité en direct, l’actualité en spectacle (vivant)Zoé VerveropoulouThis article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create.http://journals.openedition.org/communication/7245neo-documentarydramaturgygenremediatizationFrance |
| spellingShingle | Zoé Ververopoulou La réalité en direct, l’actualité en spectacle (vivant) Communication neo-documentary dramaturgy genre mediatization France |
| title | La réalité en direct, l’actualité en spectacle (vivant) |
| title_full | La réalité en direct, l’actualité en spectacle (vivant) |
| title_fullStr | La réalité en direct, l’actualité en spectacle (vivant) |
| title_full_unstemmed | La réalité en direct, l’actualité en spectacle (vivant) |
| title_short | La réalité en direct, l’actualité en spectacle (vivant) |
| title_sort | la realite en direct l actualite en spectacle vivant |
| topic | neo-documentary dramaturgy genre mediatization France |
| url | http://journals.openedition.org/communication/7245 |
| work_keys_str_mv | AT zoeververopoulou larealiteendirectlactualiteenspectaclevivant |