Feminism as a media product: the Beyoncé paradox

Since 2014, an increasing number of celebrities has manifested itself publicly as feminist, a phenomenon that has coincided in time with the emergence of a new space for the discussion about women issues in traditional media and social media netwotks. Taking as paradigmatic the case of Beyoncé, this...

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Main Author: Lola Fernández Hernández
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2017-12-01
Series:Investigaciones Feministas
Subjects:
Online Access:http://revistas.ucm.es/index.php/INFE/article/view/54975
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author Lola Fernández Hernández
author_facet Lola Fernández Hernández
author_sort Lola Fernández Hernández
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description Since 2014, an increasing number of celebrities has manifested itself publicly as feminist, a phenomenon that has coincided in time with the emergence of a new space for the discussion about women issues in traditional media and social media netwotks. Taking as paradigmatic the case of Beyoncé, this text explores the intersection between mainstream culture, mass media and feminism, contextualized in the logics of advanced capitalism, neo-liberalism and its patriarchal rearmament and the celebritization of the media space in which they coincide. Its objective will be to expose, through the academic and media reactions to Beyonce’s feminism, the strengths and weaknesses of the so-called postfeminism, and to propose that its utility as a subversive tool could be considered not in relation to the public that receives and reworks it, but in terms of its ability to mobilize and produce mutations in both journalistic and academic practice.
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spelling doaj.art-bfd84d9ac1c94360b4b0006434d2d83d2022-12-21T19:04:42ZengUniversidad Complutense de MadridInvestigaciones Feministas2171-60802017-12-018245747410.5209/INFE.5497553355Feminism as a media product: the Beyoncé paradoxLola Fernández HernándezSince 2014, an increasing number of celebrities has manifested itself publicly as feminist, a phenomenon that has coincided in time with the emergence of a new space for the discussion about women issues in traditional media and social media netwotks. Taking as paradigmatic the case of Beyoncé, this text explores the intersection between mainstream culture, mass media and feminism, contextualized in the logics of advanced capitalism, neo-liberalism and its patriarchal rearmament and the celebritization of the media space in which they coincide. Its objective will be to expose, through the academic and media reactions to Beyonce’s feminism, the strengths and weaknesses of the so-called postfeminism, and to propose that its utility as a subversive tool could be considered not in relation to the public that receives and reworks it, but in terms of its ability to mobilize and produce mutations in both journalistic and academic practice.http://revistas.ucm.es/index.php/INFE/article/view/54975FeminismoMedios de ComunicaciónNeoliberalismoPostfeminismoBeyoncé.
spellingShingle Lola Fernández Hernández
Feminism as a media product: the Beyoncé paradox
Investigaciones Feministas
Feminismo
Medios de Comunicación
Neoliberalismo
Postfeminismo
Beyoncé.
title Feminism as a media product: the Beyoncé paradox
title_full Feminism as a media product: the Beyoncé paradox
title_fullStr Feminism as a media product: the Beyoncé paradox
title_full_unstemmed Feminism as a media product: the Beyoncé paradox
title_short Feminism as a media product: the Beyoncé paradox
title_sort feminism as a media product the beyonce paradox
topic Feminismo
Medios de Comunicación
Neoliberalismo
Postfeminismo
Beyoncé.
url http://revistas.ucm.es/index.php/INFE/article/view/54975
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