Anachronic concepts, art historical containers and historiographical practices in contemporary art

This paper examines the historiographical potential of contemporary art, asking how artworks have been envisaged to challenge, shape and undermine art historical models and how their contribution has been taken into view by theorists. Working through art historiographical models from Kubler to Panof...

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Main Author: Eva Kernbauer
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2017-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2017/05/kernbauer.pdf
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author Eva Kernbauer
author_facet Eva Kernbauer
author_sort Eva Kernbauer
collection DOAJ
description This paper examines the historiographical potential of contemporary art, asking how artworks have been envisaged to challenge, shape and undermine art historical models and how their contribution has been taken into view by theorists. Working through art historiographical models from Kubler to Panofsky and Benjamin, it reconsiders some aspects of the contested relationship between art and art history. It proposes a reconsideration of the ‘anachronic’ as a much discussed term in recent art theory, where, arguably, artistic and art historiographical interests intersect, and concludes with an examination of how art theory may do justice to the recent ‘historiographical turn’ in contemporary art beyond the conventional divide between ‘those who write and those who make art’.
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spelling doaj.art-bfda3b0307824952b5270d40ccc549e82022-12-22T01:09:11ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522017-06-011616EK1Anachronic concepts, art historical containers and historiographical practices in contemporary artEva Kernbauer0University of Applied Arts, ViennaThis paper examines the historiographical potential of contemporary art, asking how artworks have been envisaged to challenge, shape and undermine art historical models and how their contribution has been taken into view by theorists. Working through art historiographical models from Kubler to Panofsky and Benjamin, it reconsiders some aspects of the contested relationship between art and art history. It proposes a reconsideration of the ‘anachronic’ as a much discussed term in recent art theory, where, arguably, artistic and art historiographical interests intersect, and concludes with an examination of how art theory may do justice to the recent ‘historiographical turn’ in contemporary art beyond the conventional divide between ‘those who write and those who make art’.https://arthistoriography.files.wordpress.com/2017/05/kernbauer.pdfanachronichistoriographical turnKublerPanofskyBenjamin
spellingShingle Eva Kernbauer
Anachronic concepts, art historical containers and historiographical practices in contemporary art
Journal of Art Historiography
anachronic
historiographical turn
Kubler
Panofsky
Benjamin
title Anachronic concepts, art historical containers and historiographical practices in contemporary art
title_full Anachronic concepts, art historical containers and historiographical practices in contemporary art
title_fullStr Anachronic concepts, art historical containers and historiographical practices in contemporary art
title_full_unstemmed Anachronic concepts, art historical containers and historiographical practices in contemporary art
title_short Anachronic concepts, art historical containers and historiographical practices in contemporary art
title_sort anachronic concepts art historical containers and historiographical practices in contemporary art
topic anachronic
historiographical turn
Kubler
Panofsky
Benjamin
url https://arthistoriography.files.wordpress.com/2017/05/kernbauer.pdf
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