Identification of adulterants in artistic earth pigments using a multi-technique approach

The composition of natural earths from Kremer and others bought in different art shops in Lima was studied to determine their authenticity. They were analyzed by Raman Microscopy, X-ray Diffraction, X-ray Fluorescence, and Light reflectance. The results show that Kremer pigments have a natural origi...

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Main Authors: Cynthia Cáceres-Rivero, Ana Luz Tupa-Quispe, Ronaldo Torres-Casas, Patricia Bedregal
Format: Article
Language:English
Published: Elsevier 2022-01-01
Series:Results in Chemistry
Subjects:
Online Access:http://www.sciencedirect.com/science/article/pii/S2211715622002806
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author Cynthia Cáceres-Rivero
Ana Luz Tupa-Quispe
Ronaldo Torres-Casas
Patricia Bedregal
author_facet Cynthia Cáceres-Rivero
Ana Luz Tupa-Quispe
Ronaldo Torres-Casas
Patricia Bedregal
author_sort Cynthia Cáceres-Rivero
collection DOAJ
description The composition of natural earths from Kremer and others bought in different art shops in Lima was studied to determine their authenticity. They were analyzed by Raman Microscopy, X-ray Diffraction, X-ray Fluorescence, and Light reflectance. The results show that Kremer pigments have a natural origin, as they are rich in minerals and clay. By contrast, the pigments bought in Lima are synthetic and contain adulterants. One manufacturer used Cadmium-based pigments for adulteration in Umbers and Siennas, probably to obtain a color similar to the original. A second manufacturer used talc as a filler for adulteration in Sienna and Ochre. The third brand is probably a case of re-packaging construction pigments as art pigments. Manufacturers should label these pigments as Mars instead of Earth pigments, and their actual composition should be known prior to their use.
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spelling doaj.art-bff85432767a4512b793dca0f8ee8f142022-12-22T04:23:10ZengElsevierResults in Chemistry2211-71562022-01-014100561Identification of adulterants in artistic earth pigments using a multi-technique approachCynthia Cáceres-Rivero0Ana Luz Tupa-Quispe1Ronaldo Torres-Casas2Patricia Bedregal3Dirección de Investigación y Desarrollo, Instituto Peruano de Energía Nuclear, Centro Nuclear Oscar Miró Quesada de la Guerra, Av. José Saco. Km. 13, Carabayllo, Lima, Peru; Corresponding author.Facultad de Ciencias, Universidad Nacional de Ingeniería, Av. Túpac Amaru 210, Rimac. Apartado 1301, Lima, PeruDirección de Investigación y Desarrollo, Instituto Peruano de Energía Nuclear, Centro Nuclear Oscar Miró Quesada de la Guerra, Av. José Saco. Km. 13, Carabayllo, Lima, PeruDirección de Investigación y Desarrollo, Instituto Peruano de Energía Nuclear, Centro Nuclear Oscar Miró Quesada de la Guerra, Av. José Saco. Km. 13, Carabayllo, Lima, PeruThe composition of natural earths from Kremer and others bought in different art shops in Lima was studied to determine their authenticity. They were analyzed by Raman Microscopy, X-ray Diffraction, X-ray Fluorescence, and Light reflectance. The results show that Kremer pigments have a natural origin, as they are rich in minerals and clay. By contrast, the pigments bought in Lima are synthetic and contain adulterants. One manufacturer used Cadmium-based pigments for adulteration in Umbers and Siennas, probably to obtain a color similar to the original. A second manufacturer used talc as a filler for adulteration in Sienna and Ochre. The third brand is probably a case of re-packaging construction pigments as art pigments. Manufacturers should label these pigments as Mars instead of Earth pigments, and their actual composition should be known prior to their use.http://www.sciencedirect.com/science/article/pii/S2211715622002806AdulterationEarth pigmentsIron oxidesRaman spectrometryX-ray spectrometry
spellingShingle Cynthia Cáceres-Rivero
Ana Luz Tupa-Quispe
Ronaldo Torres-Casas
Patricia Bedregal
Identification of adulterants in artistic earth pigments using a multi-technique approach
Results in Chemistry
Adulteration
Earth pigments
Iron oxides
Raman spectrometry
X-ray spectrometry
title Identification of adulterants in artistic earth pigments using a multi-technique approach
title_full Identification of adulterants in artistic earth pigments using a multi-technique approach
title_fullStr Identification of adulterants in artistic earth pigments using a multi-technique approach
title_full_unstemmed Identification of adulterants in artistic earth pigments using a multi-technique approach
title_short Identification of adulterants in artistic earth pigments using a multi-technique approach
title_sort identification of adulterants in artistic earth pigments using a multi technique approach
topic Adulteration
Earth pigments
Iron oxides
Raman spectrometry
X-ray spectrometry
url http://www.sciencedirect.com/science/article/pii/S2211715622002806
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