Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro

James Baldwin’s writing, his persona, as well as his public speeches, interviews, and discussions are undergoing a renewed reception in the arts, in queer and critical race studies, and in queer of color movements. Directed by Raoul Peck, the film I Am Not Your Negro decisively contributed to the re...

Full description

Bibliographic Details
Main Authors: Jovita dos Santos Pinto, Noémi Michel, Patricia Purtschert, Paola Bacchetta, Vanessa Naef
Format: Article
Language:English
Published: Manchester University Press 2020-06-01
Series:James Baldwin Review
Subjects:
_version_ 1818203889793499136
author Jovita dos Santos Pinto
Noémi Michel
Patricia Purtschert
Paola Bacchetta
Vanessa Naef
author_facet Jovita dos Santos Pinto
Noémi Michel
Patricia Purtschert
Paola Bacchetta
Vanessa Naef
author_sort Jovita dos Santos Pinto
collection DOAJ
description James Baldwin’s writing, his persona, as well as his public speeches, interviews, and discussions are undergoing a renewed reception in the arts, in queer and critical race studies, and in queer of color movements. Directed by Raoul Peck, the film I Am Not Your Negro decisively contributed to the rekindled circulation of Baldwin across the Atlantic. Since 2017, screenings and commentaries on the highly acclaimed film have prompted discussions about the persistent yet variously racialized temporospatial formations of Europe and the U.S. Stemming from a roundtable that followed a screening in Zurich in February 2018, this collective essay wanders between the audio-visual and textual matter of the film and Baldwin’s essay “Stranger in the Village,” which was also adapted into a film-essay directed by Pierre Koralnik, staging Baldwin in the Swiss village of Leukerbad. Privileging Black feminist, postcolonial, and queer of color perspectives, we identify three sites of Baldwin’s transatlantic reverberations: situated knowledge, controlling images, and everyday sexual racism. In conclusion, we reflect on the implications of racialized, sexualized politics for today’s Black feminist, queer, and trans of color movements located in continental Europe—especially in Switzerland and France.
first_indexed 2024-12-12T03:32:31Z
format Article
id doaj.art-c00b7f61b51b4964bb2a742881318d2f
institution Directory Open Access Journal
issn 2056-9203
2056-9211
language English
last_indexed 2024-12-12T03:32:31Z
publishDate 2020-06-01
publisher Manchester University Press
record_format Article
series James Baldwin Review
spelling doaj.art-c00b7f61b51b4964bb2a742881318d2f2022-12-22T00:39:53ZengManchester University PressJames Baldwin Review2056-92032056-92112020-06-016017619810.7227/JBR.6.12Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your NegroJovita dos Santos Pinto0Noémi Michel1Patricia Purtschert2Paola Bacchetta3Vanessa Naef4University of BernUniversity of GenevaUniversity of BernUniversity of California, BerkeleyUniversity of BernJames Baldwin’s writing, his persona, as well as his public speeches, interviews, and discussions are undergoing a renewed reception in the arts, in queer and critical race studies, and in queer of color movements. Directed by Raoul Peck, the film I Am Not Your Negro decisively contributed to the rekindled circulation of Baldwin across the Atlantic. Since 2017, screenings and commentaries on the highly acclaimed film have prompted discussions about the persistent yet variously racialized temporospatial formations of Europe and the U.S. Stemming from a roundtable that followed a screening in Zurich in February 2018, this collective essay wanders between the audio-visual and textual matter of the film and Baldwin’s essay “Stranger in the Village,” which was also adapted into a film-essay directed by Pierre Koralnik, staging Baldwin in the Swiss village of Leukerbad. Privileging Black feminist, postcolonial, and queer of color perspectives, we identify three sites of Baldwin’s transatlantic reverberations: situated knowledge, controlling images, and everyday sexual racism. In conclusion, we reflect on the implications of racialized, sexualized politics for today’s Black feminist, queer, and trans of color movements located in continental Europe—especially in Switzerland and France.james baldwinsexualized racismqueer of color movementswhite innocence"stranger in the village"i am not your negro
spellingShingle Jovita dos Santos Pinto
Noémi Michel
Patricia Purtschert
Paola Bacchetta
Vanessa Naef
Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
James Baldwin Review
james baldwin
sexualized racism
queer of color movements
white innocence
"stranger in the village"
i am not your negro
title Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
title_full Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
title_fullStr Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
title_full_unstemmed Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
title_short Baldwin’s Transatlantic Reverberations: Between “Stranger in the Village” and I Am Not Your Negro
title_sort baldwin s transatlantic reverberations between stranger in the village and i am not your negro
topic james baldwin
sexualized racism
queer of color movements
white innocence
"stranger in the village"
i am not your negro
work_keys_str_mv AT jovitadossantospinto baldwinstransatlanticreverberationsbetweenstrangerinthevillageandiamnotyournegro
AT noemimichel baldwinstransatlanticreverberationsbetweenstrangerinthevillageandiamnotyournegro
AT patriciapurtschert baldwinstransatlanticreverberationsbetweenstrangerinthevillageandiamnotyournegro
AT paolabacchetta baldwinstransatlanticreverberationsbetweenstrangerinthevillageandiamnotyournegro
AT vanessanaef baldwinstransatlanticreverberationsbetweenstrangerinthevillageandiamnotyournegro