Silent Partner: Design and Making in the Early Modern Architecture of Britain

This article argues that, in early modern architecture in Britain, the role of making has been subordinated to that of design. It takes it cue from Gottfried Semper’s image of the architect in antiquity as choragus or orchestrator of the many skills required to create a building, and demonstrates th...

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Main Author: Christine Cassey
Format: Article
Language:English
Published: Universidad de Navarra 2021-11-01
Series:RA. Revista de Arquitectura
Subjects:
Online Access:https://revistas.unav.edu/index.php/revista-de-arquitectura/article/view/42173
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author Christine Cassey
author_facet Christine Cassey
author_sort Christine Cassey
collection DOAJ
description This article argues that, in early modern architecture in Britain, the role of making has been subordinated to that of design. It takes it cue from Gottfried Semper’s image of the architect in antiquity as choragus or orchestrator of the many skills required to create a building, and demonstrates that knowledge of materials and craftsmanship informed the design process. It argues that the architect’s role as orchestrator of craft production has been overlooked due to an overemphasis on conceptual design. The relationship of conceptual and intuitive approaches to building is explored, as is communication between architect and craftsmen through models and large-scale working drawings. The nonarchitectural concerns of plastic artists involved in architectural production are noted. Finally, historiographical tendencies toward stylistic and biographical attribution are shown to militate against a holistic view of design and craft in early modern architecture.
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spelling doaj.art-c015ba7ea1f84b9899ceb970d13d5ef72022-12-21T20:07:24ZengUniversidad de NavarraRA. Revista de Arquitectura1138-55962254-63322021-11-0113214510.15581/014.23.132-14542173Silent Partner: Design and Making in the Early Modern Architecture of BritainChristine Cassey0Trinity College DublinThis article argues that, in early modern architecture in Britain, the role of making has been subordinated to that of design. It takes it cue from Gottfried Semper’s image of the architect in antiquity as choragus or orchestrator of the many skills required to create a building, and demonstrates that knowledge of materials and craftsmanship informed the design process. It argues that the architect’s role as orchestrator of craft production has been overlooked due to an overemphasis on conceptual design. The relationship of conceptual and intuitive approaches to building is explored, as is communication between architect and craftsmen through models and large-scale working drawings. The nonarchitectural concerns of plastic artists involved in architectural production are noted. Finally, historiographical tendencies toward stylistic and biographical attribution are shown to militate against a holistic view of design and craft in early modern architecture.https://revistas.unav.edu/index.php/revista-de-arquitectura/article/view/42173craftearly modern architecturetacit knowledgecollaboration
spellingShingle Christine Cassey
Silent Partner: Design and Making in the Early Modern Architecture of Britain
RA. Revista de Arquitectura
craft
early modern architecture
tacit knowledge
collaboration
title Silent Partner: Design and Making in the Early Modern Architecture of Britain
title_full Silent Partner: Design and Making in the Early Modern Architecture of Britain
title_fullStr Silent Partner: Design and Making in the Early Modern Architecture of Britain
title_full_unstemmed Silent Partner: Design and Making in the Early Modern Architecture of Britain
title_short Silent Partner: Design and Making in the Early Modern Architecture of Britain
title_sort silent partner design and making in the early modern architecture of britain
topic craft
early modern architecture
tacit knowledge
collaboration
url https://revistas.unav.edu/index.php/revista-de-arquitectura/article/view/42173
work_keys_str_mv AT christinecassey silentpartnerdesignandmakingintheearlymodernarchitectureofbritain