Chronotopes of law in William Faulkner’s novels, 1930-1939

The essay analyzes Faulkner’s As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), and If I Forget Thee, Jerusalem (1939), focusing on the narrative and narratological interaction between the traditional chronotopes of law (the trial, the prison), the horizontal chronotopes of the barn,...

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Main Author: Cinzia Scarpino
Format: Article
Language:English
Published: Milano University Press 2016-05-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/7179
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author Cinzia Scarpino
author_facet Cinzia Scarpino
author_sort Cinzia Scarpino
collection DOAJ
description The essay analyzes Faulkner’s As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), and If I Forget Thee, Jerusalem (1939), focusing on the narrative and narratological interaction between the traditional chronotopes of law (the trial, the prison), the horizontal chronotopes of the barn, the ‘shuttered’ house, and the river, and the vertical chronotopes of the fire and the flood. The vertical chronotopes deployed attempt to challenge the official system of the law, using deeply embedded in Southern obsession for miscegenation (the rape and murder of a white woman and the lynching of an alleged mulatto) as catalysts.  However, it is the contention of this essay, no real change is engendered to human or legal justice. With the truth literally destroyed fire and water, the characters’ quest is perpetually thrust back into the stasis of non-contemporaneity.
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spelling doaj.art-c060d64ab4f44fda9a4fd8a0d3914af92023-09-02T20:39:13ZengMilano University PressAltre Modernità2035-76802016-05-010159711910.13130/2035-7680/71796286Chronotopes of law in William Faulkner’s novels, 1930-1939Cinzia Scarpino0Università degli Studi di MilanoThe essay analyzes Faulkner’s As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), and If I Forget Thee, Jerusalem (1939), focusing on the narrative and narratological interaction between the traditional chronotopes of law (the trial, the prison), the horizontal chronotopes of the barn, the ‘shuttered’ house, and the river, and the vertical chronotopes of the fire and the flood. The vertical chronotopes deployed attempt to challenge the official system of the law, using deeply embedded in Southern obsession for miscegenation (the rape and murder of a white woman and the lynching of an alleged mulatto) as catalysts.  However, it is the contention of this essay, no real change is engendered to human or legal justice. With the truth literally destroyed fire and water, the characters’ quest is perpetually thrust back into the stasis of non-contemporaneity.https://riviste.unimi.it/index.php/AMonline/article/view/71791930s NovelsWilliam FaulknerLaw & LiteratureChronotopes
spellingShingle Cinzia Scarpino
Chronotopes of law in William Faulkner’s novels, 1930-1939
Altre Modernità
1930s Novels
William Faulkner
Law & Literature
Chronotopes
title Chronotopes of law in William Faulkner’s novels, 1930-1939
title_full Chronotopes of law in William Faulkner’s novels, 1930-1939
title_fullStr Chronotopes of law in William Faulkner’s novels, 1930-1939
title_full_unstemmed Chronotopes of law in William Faulkner’s novels, 1930-1939
title_short Chronotopes of law in William Faulkner’s novels, 1930-1939
title_sort chronotopes of law in william faulkner s novels 1930 1939
topic 1930s Novels
William Faulkner
Law & Literature
Chronotopes
url https://riviste.unimi.it/index.php/AMonline/article/view/7179
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