The Storyteller Raúl Ruiz and the invention of Chile

We intend to investigate and delimit, a certain period of film production by Raúl Ruiz, made in Chile during the last decade. Ruiz will install a type of filmic narrative inspired by the rescue of some popular stories, and of a certain Chilean literature of fines of the nineteenth and early twentiet...

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Main Author: Felipe Larrea Melgarejo
Format: Article
Language:Spanish
Published: CENALTES 2017-11-01
Series:HYBRIS: Revista de Filosofía
Subjects:
Online Access:http://revistas.cenaltes.cl/index.php/hybris/article/view/196
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author Felipe Larrea Melgarejo
author_facet Felipe Larrea Melgarejo
author_sort Felipe Larrea Melgarejo
collection DOAJ
description We intend to investigate and delimit, a certain period of film production by Raúl Ruiz, made in Chile during the last decade. Ruiz will install a type of filmic narrative inspired by the rescue of some popular stories, and of a certain Chilean literature of fines of the nineteenth and early twentieth centuries. If in the mid-90s, in his first <em>Poetics of cinema</em>, he insisted on resisting the model imposed by the industrial cinema (Hollywood), of what narration determines the image, with this series of films that work, unique way of narration in which the image becomes a determining principle. It is thus that the narrative that promotes Ruiz is a search of the remains or vestiges of experiences that do not form a part of any type of national History of monumental character, since they can be transmitted not from an image reported of the past, but from his transmission a permanent but <em>inactua</em>l image develops. This image is our objective, since it is a construction of a type of singular narration that has an inseparable link to a thematic and aesthetic relationship with Chile
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spelling doaj.art-c0b070afe2b740008c338c1d4c6784e32022-12-22T01:17:40ZspaCENALTESHYBRIS: Revista de Filosofía0718-83822017-11-01827710310.5281/zenodo.1092688189The Storyteller Raúl Ruiz and the invention of ChileFelipe Larrea Melgarejo0Universidad de ChileWe intend to investigate and delimit, a certain period of film production by Raúl Ruiz, made in Chile during the last decade. Ruiz will install a type of filmic narrative inspired by the rescue of some popular stories, and of a certain Chilean literature of fines of the nineteenth and early twentieth centuries. If in the mid-90s, in his first <em>Poetics of cinema</em>, he insisted on resisting the model imposed by the industrial cinema (Hollywood), of what narration determines the image, with this series of films that work, unique way of narration in which the image becomes a determining principle. It is thus that the narrative that promotes Ruiz is a search of the remains or vestiges of experiences that do not form a part of any type of national History of monumental character, since they can be transmitted not from an image reported of the past, but from his transmission a permanent but <em>inactua</em>l image develops. This image is our objective, since it is a construction of a type of singular narration that has an inseparable link to a thematic and aesthetic relationship with Chilehttp://revistas.cenaltes.cl/index.php/hybris/article/view/196estilema, imagen, diégesis, experiencia, narración
spellingShingle Felipe Larrea Melgarejo
The Storyteller Raúl Ruiz and the invention of Chile
HYBRIS: Revista de Filosofía
estilema, imagen, diégesis, experiencia, narración
title The Storyteller Raúl Ruiz and the invention of Chile
title_full The Storyteller Raúl Ruiz and the invention of Chile
title_fullStr The Storyteller Raúl Ruiz and the invention of Chile
title_full_unstemmed The Storyteller Raúl Ruiz and the invention of Chile
title_short The Storyteller Raúl Ruiz and the invention of Chile
title_sort storyteller raul ruiz and the invention of chile
topic estilema, imagen, diégesis, experiencia, narración
url http://revistas.cenaltes.cl/index.php/hybris/article/view/196
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