Against a Migrant Cinema. Critical Reflections on the Postcolonial Perspective
“What? You did not include any reference to the Tahrir Square uprising?” In the final scene of La Vierge, les Coptes et Moi (Namir Abdel Messeeh, 2012), an autobiographical film in which the director, an Egyptian Copt residing in France, stages the alleged apparition of the Madonna in his native vil...
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| Materiálatiipa: | Artihkal |
| Giella: | English |
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University of Bologna
2019-12-01
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| Ráidu: | Cinergie |
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| Liŋkkat: | https://cinergie.unibo.it/article/view/8505 |