Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane
This article examines the place of the notion of community in the UNESCO policies on ICH, with regard to a project in which the authors are stakeholders: the inscription of Catalan rumba, a gypsy musical practice, under the 2003 Convention. The first part aims to characterise the “community model” p...
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Format: | Article |
Language: | English |
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Éditions de l'EHESS
2019-09-01
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Series: | Transposition |
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Online Access: | http://journals.openedition.org/transposition/2942 |
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author | Arnauld Chandivert Hervé Parent |
author_facet | Arnauld Chandivert Hervé Parent |
author_sort | Arnauld Chandivert |
collection | DOAJ |
description | This article examines the place of the notion of community in the UNESCO policies on ICH, with regard to a project in which the authors are stakeholders: the inscription of Catalan rumba, a gypsy musical practice, under the 2003 Convention. The first part aims to characterise the “community model” present in these policies, and then considers their application in France and in the case of the rumba. After pointing out the ambiguity of this application and the issues involved, in terms of the representation of gypsy populations, the analysis focuses on the rumba itself—notably the fact that despite the evolving nature of this musical genre, certain stakeholders in certain contexts have asserted more fixist definitions of it. One such context is the inscription project, which thus appears as a space for the identification and mediation of the collective affiliations and musical practices—processes that ultimately must be integrated into the consideration of the rumba from a heritage perspective. |
first_indexed | 2024-03-12T07:23:35Z |
format | Article |
id | doaj.art-c103a09575d64367bc6a1b92f79bf65f |
institution | Directory Open Access Journal |
issn | 2110-6134 |
language | English |
last_indexed | 2024-03-12T07:23:35Z |
publishDate | 2019-09-01 |
publisher | Éditions de l'EHESS |
record_format | Article |
series | Transposition |
spelling | doaj.art-c103a09575d64367bc6a1b92f79bf65f2023-09-02T22:15:14ZengÉditions de l'EHESSTransposition2110-61342019-09-01810.4000/transposition.2942Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalaneArnauld ChandivertHervé ParentThis article examines the place of the notion of community in the UNESCO policies on ICH, with regard to a project in which the authors are stakeholders: the inscription of Catalan rumba, a gypsy musical practice, under the 2003 Convention. The first part aims to characterise the “community model” present in these policies, and then considers their application in France and in the case of the rumba. After pointing out the ambiguity of this application and the issues involved, in terms of the representation of gypsy populations, the analysis focuses on the rumba itself—notably the fact that despite the evolving nature of this musical genre, certain stakeholders in certain contexts have asserted more fixist definitions of it. One such context is the inscription project, which thus appears as a space for the identification and mediation of the collective affiliations and musical practices—processes that ultimately must be integrated into the consideration of the rumba from a heritage perspective.http://journals.openedition.org/transposition/2942intangible cultural heritagecommunityCatalan rumbaGypsiesrepresentations |
spellingShingle | Arnauld Chandivert Hervé Parent Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane Transposition intangible cultural heritage community Catalan rumba Gypsies representations |
title | Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane |
title_full | Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane |
title_fullStr | Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane |
title_full_unstemmed | Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane |
title_short | Communautés patrimoniales, pratiques musicales et enjeux de reconnaissance : le cas de la rumba catalane |
title_sort | communautes patrimoniales pratiques musicales et enjeux de reconnaissance le cas de la rumba catalane |
topic | intangible cultural heritage community Catalan rumba Gypsies representations |
url | http://journals.openedition.org/transposition/2942 |
work_keys_str_mv | AT arnauldchandivert communautespatrimonialespratiquesmusicalesetenjeuxdereconnaissancelecasdelarumbacatalane AT herveparent communautespatrimonialespratiquesmusicalesetenjeuxdereconnaissancelecasdelarumbacatalane |