Repetition as the Performative Syndrome of Dying

In his Difference and Repetition Deleuze reveals an aporia: repetition is singular, solitary, it is torn away from any original or source; nevertheless it preserves a genetic tie with certain event to which it is a repetition. This solitariness of the repetition is not, however, confined to mere dif...

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Main Author: Keti Chukhrov
Format: Article
Language:English
Published: Performance Philosophy 2019-02-01
Series:Performance Philosophy
Subjects:
Online Access:http://www.performancephilosophy.org/journal/article/view/236
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author Keti Chukhrov
author_facet Keti Chukhrov
author_sort Keti Chukhrov
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description In his Difference and Repetition Deleuze reveals an aporia: repetition is singular, solitary, it is torn away from any original or source; nevertheless it preserves a genetic tie with certain event to which it is a repetition. This solitariness of the repetition is not, however, confined to mere difference between the act of repetition and the repeated source that cancels the original just to differentiate two performative procedures. An act of repetition is solitary only when it evolves in specific time-regime, which even ontically diverges from the regular ontology of time. Deleuze calls such temporality “empty”, Nietzsche defines it as amor fati, Heidegger sees in it convergence of eternity and an instant. The stake in this case is a specific kind of repetitive regime which unfolds as the performative syndrome of ‘dying’ – a “repetition into death” (Deleuze) which paradoxically executes itself as performative plenitude. But who is the Subject undergoing such a syndrome and what should have happened to her/him so as to impose the regime of dying on any act of repetition?
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spelling doaj.art-c10f809dda28437490ab053837df94f72022-12-22T01:49:51ZengPerformance PhilosophyPerformance Philosophy2057-71762019-02-014247648910.21476/PP.2019.42236152Repetition as the Performative Syndrome of DyingKeti Chukhrov0National Research University Higher School of Economics (Moscow)/Marie Curie Fellow at Wolverhampton University (UK)In his Difference and Repetition Deleuze reveals an aporia: repetition is singular, solitary, it is torn away from any original or source; nevertheless it preserves a genetic tie with certain event to which it is a repetition. This solitariness of the repetition is not, however, confined to mere difference between the act of repetition and the repeated source that cancels the original just to differentiate two performative procedures. An act of repetition is solitary only when it evolves in specific time-regime, which even ontically diverges from the regular ontology of time. Deleuze calls such temporality “empty”, Nietzsche defines it as amor fati, Heidegger sees in it convergence of eternity and an instant. The stake in this case is a specific kind of repetitive regime which unfolds as the performative syndrome of ‘dying’ – a “repetition into death” (Deleuze) which paradoxically executes itself as performative plenitude. But who is the Subject undergoing such a syndrome and what should have happened to her/him so as to impose the regime of dying on any act of repetition?http://www.performancephilosophy.org/journal/article/view/236DyingDeleuzeDerridaEventRepetitionPleromaPerformativityTemporality
spellingShingle Keti Chukhrov
Repetition as the Performative Syndrome of Dying
Performance Philosophy
Dying
Deleuze
Derrida
Event
Repetition
Pleroma
Performativity
Temporality
title Repetition as the Performative Syndrome of Dying
title_full Repetition as the Performative Syndrome of Dying
title_fullStr Repetition as the Performative Syndrome of Dying
title_full_unstemmed Repetition as the Performative Syndrome of Dying
title_short Repetition as the Performative Syndrome of Dying
title_sort repetition as the performative syndrome of dying
topic Dying
Deleuze
Derrida
Event
Repetition
Pleroma
Performativity
Temporality
url http://www.performancephilosophy.org/journal/article/view/236
work_keys_str_mv AT ketichukhrov repetitionastheperformativesyndromeofdying