Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)

This study seeks to find the struggle of self-recognition from the subaltern group by using the postcolonial psychoanalysis perspective. Shylock and Prince Morocco, considered to be inferior, are dealing with the recognition to make themselves as superior as the dominant class. From the analysis, su...

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Main Author: Indiwara Pandu
Format: Article
Language:English
Published: Sunan Ampel Press Surabaya 2020-09-01
Series:Nobel: Journal of Literature and Language Teaching
Subjects:
Online Access:http://jurnalfahum.uinsby.ac.id/index.php/nobel/article/view/317
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author Indiwara Pandu
author_facet Indiwara Pandu
author_sort Indiwara Pandu
collection DOAJ
description This study seeks to find the struggle of self-recognition from the subaltern group by using the postcolonial psychoanalysis perspective. Shylock and Prince Morocco, considered to be inferior, are dealing with the recognition to make themselves as superior as the dominant class. From the analysis, supported by Fanon’s Black Skin White Mask (1952), recognition is one of the ways for the Other to enter western society. In doing this study, close reading is applied to analyze the following discussion: (1) the racial issue portrayed in The Merchant of Venice; 2) the struggle of the marginalized to gain the recognition; 3) The failure of recognition. Throughout the analysis, both Shylock and Prince Morocco fail to obtain recognition as a way to cross in western society. The constructed society based on western domination does not enable the subaltern to gain their recognition.
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spelling doaj.art-c112565b85a14094b8458f3d81fbad252022-12-21T19:05:35ZengSunan Ampel Press SurabayaNobel: Journal of Literature and Language Teaching2087-06982549-24702020-09-0111211112410.15642/NOBEL.2020.11.2.111-124215Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)Indiwara Pandu0Sanata Dharma University, Yogyakarta, IndonesiaThis study seeks to find the struggle of self-recognition from the subaltern group by using the postcolonial psychoanalysis perspective. Shylock and Prince Morocco, considered to be inferior, are dealing with the recognition to make themselves as superior as the dominant class. From the analysis, supported by Fanon’s Black Skin White Mask (1952), recognition is one of the ways for the Other to enter western society. In doing this study, close reading is applied to analyze the following discussion: (1) the racial issue portrayed in The Merchant of Venice; 2) the struggle of the marginalized to gain the recognition; 3) The failure of recognition. Throughout the analysis, both Shylock and Prince Morocco fail to obtain recognition as a way to cross in western society. The constructed society based on western domination does not enable the subaltern to gain their recognition.http://jurnalfahum.uinsby.ac.id/index.php/nobel/article/view/317post-colonial; psychoanalysis; recognition; subaltern
spellingShingle Indiwara Pandu
Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
Nobel: Journal of Literature and Language Teaching
post-colonial; psychoanalysis; recognition; subaltern
title Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
title_full Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
title_fullStr Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
title_full_unstemmed Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
title_short Subaltern's Failure of Recognition in Shakespeare's The Merchant of Venice (1599)
title_sort subaltern s failure of recognition in shakespeare s the merchant of venice 1599
topic post-colonial; psychoanalysis; recognition; subaltern
url http://jurnalfahum.uinsby.ac.id/index.php/nobel/article/view/317
work_keys_str_mv AT indiwarapandu subalternsfailureofrecognitioninshakespearesthemerchantofvenice1599