Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra

This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra hi...

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Main Author: Ramon X. Rosselló
Format: Article
Language:Catalan
Published: Adam Mickiewicz University 2021-09-01
Series:Studia Romanica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/srp/article/view/29668/26338
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author Ramon X. Rosselló
author_facet Ramon X. Rosselló
author_sort Ramon X. Rosselló
collection DOAJ
description This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genettein his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.
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spelling doaj.art-c12d89b1b9fb4c789caf2ec842594caf2024-02-08T13:37:13ZcatAdam Mickiewicz UniversityStudia Romanica Posnaniensia0137-24752084-41582021-09-014838910110.14746/strop.2021.483.007Relacions hipertextuals en Judit (1929), de Josep Maria de SagarraRamon X. Rosselló0https://orcid.org/0000-0002-4089-7428Universitat de ValènciaThis article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genettein his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.https://pressto.amu.edu.pl/index.php/srp/article/view/29668/26338catalan theatretragedyjudithjosep m.de sagarrahypertextualitybible
spellingShingle Ramon X. Rosselló
Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
Studia Romanica Posnaniensia
catalan theatre
tragedy
judith
josep m.de sagarra
hypertextuality
bible
title Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
title_full Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
title_fullStr Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
title_full_unstemmed Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
title_short Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
title_sort relacions hipertextuals en judit 1929 de josep maria de sagarra
topic catalan theatre
tragedy
judith
josep m.de sagarra
hypertextuality
bible
url https://pressto.amu.edu.pl/index.php/srp/article/view/29668/26338
work_keys_str_mv AT ramonxrossello relacionshipertextualsenjudit1929dejosepmariadesagarra