The featured of culture and mythology in the Brazilian Glauber Rocha movies
Glauber Rocha presents two films that reflect the social distribution and the social system regent in Brazil during the 60s decade. The film Black God and White Devil, 1964, fits into the context of hunger aesthetics, and it is a sign of the vanguard cine, a revolutionary instrument with a point of...
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| Format: | Article |
| Language: | English |
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Universidad de Salamanca
2016-02-01
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| Series: | Revista de Estudios Brasileños |
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| Online Access: | https://revistas.usal.es/index.php/2386-4540/article/view/18699 |
| _version_ | 1811196725975580672 |
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| author | Ana Luiza VALVERDE DA SILVA |
| author_facet | Ana Luiza VALVERDE DA SILVA |
| author_sort | Ana Luiza VALVERDE DA SILVA |
| collection | DOAJ |
| description | Glauber Rocha presents two films that reflect the social distribution and the social system regent in Brazil during the 60s decade. The film Black God and White Devil, 1964, fits into the context of hunger aesthetics, and it is a sign of the vanguard cine, a revolutionary instrument with a point of view before the military coup. On the other hand, the film “emAntonio das Mortes/em”, 1969, born in the midst of the changes triggered by the emTropicália/em movement and the repression of freedom of speech created by the Brazilian military dictatorship. The research is based on the representation used by Glauber Rocha to highlight the culture and mythology in both filmographies in this difficult political moment. |
| first_indexed | 2024-04-12T01:03:50Z |
| format | Article |
| id | doaj.art-c137dd4c7d864e25b2b01c8178e3844c |
| institution | Directory Open Access Journal |
| issn | 2386-4540 |
| language | English |
| last_indexed | 2024-04-12T01:03:50Z |
| publishDate | 2016-02-01 |
| publisher | Universidad de Salamanca |
| record_format | Article |
| series | Revista de Estudios Brasileños |
| spelling | doaj.art-c137dd4c7d864e25b2b01c8178e3844c2022-12-22T03:54:20ZengUniversidad de SalamancaRevista de Estudios Brasileños2386-45402016-02-0134496010.14201/reb201634496015960The featured of culture and mythology in the Brazilian Glauber Rocha moviesAna Luiza VALVERDE DA SILVA0Universidad de ValenciaGlauber Rocha presents two films that reflect the social distribution and the social system regent in Brazil during the 60s decade. The film Black God and White Devil, 1964, fits into the context of hunger aesthetics, and it is a sign of the vanguard cine, a revolutionary instrument with a point of view before the military coup. On the other hand, the film “emAntonio das Mortes/em”, 1969, born in the midst of the changes triggered by the emTropicália/em movement and the repression of freedom of speech created by the Brazilian military dictatorship. The research is based on the representation used by Glauber Rocha to highlight the culture and mythology in both filmographies in this difficult political moment.https://revistas.usal.es/index.php/2386-4540/article/view/18699mitologíaculturaglauber rocha |
| spellingShingle | Ana Luiza VALVERDE DA SILVA The featured of culture and mythology in the Brazilian Glauber Rocha movies Revista de Estudios Brasileños mitología cultura glauber rocha |
| title | The featured of culture and mythology in the Brazilian Glauber Rocha movies |
| title_full | The featured of culture and mythology in the Brazilian Glauber Rocha movies |
| title_fullStr | The featured of culture and mythology in the Brazilian Glauber Rocha movies |
| title_full_unstemmed | The featured of culture and mythology in the Brazilian Glauber Rocha movies |
| title_short | The featured of culture and mythology in the Brazilian Glauber Rocha movies |
| title_sort | featured of culture and mythology in the brazilian glauber rocha movies |
| topic | mitología cultura glauber rocha |
| url | https://revistas.usal.es/index.php/2386-4540/article/view/18699 |
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