THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS

Vasilije Mokranjac can be seen as a paradigm for an entire generation of Serbian composers who started creating at an unfavourable historical moment. In time, he moved away from his initial stylistic ideas, and, by constant transformation of his practically neoclassical style, he created a heterogen...

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Main Authors: Virđinia TOTAN, Petruța-Maria COROIU
Format: Article
Language:English
Published: Babeș-Bolyai University 2022-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:http://193.231.18.162/index.php/subbmusica/article/view/2872
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author Virđinia TOTAN
Petruța-Maria COROIU
author_facet Virđinia TOTAN
Petruța-Maria COROIU
author_sort Virđinia TOTAN
collection DOAJ
description Vasilije Mokranjac can be seen as a paradigm for an entire generation of Serbian composers who started creating at an unfavourable historical moment. In time, he moved away from his initial stylistic ideas, and, by constant transformation of his practically neoclassical style, he created a heterogeneous work. He dealt most intensely with piano music and, as a result, he contributed the most, both quantitatively and qualitatively, to this area.
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spelling doaj.art-c194bef5ead941ea9f854b1ab5b045c92024-01-05T09:40:40ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282022-12-0167Special Issue 210.24193/subbmusica.2022.spiss2.04THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONSVirđinia TOTAN0Petruța-Maria COROIU1PhD student,Transilvania University Brașov, E-mail: totan.v97@gmail.comUniversity Professor PhD, Transilvania University Brașov, maniutpetruta@yahoo.comVasilije Mokranjac can be seen as a paradigm for an entire generation of Serbian composers who started creating at an unfavourable historical moment. In time, he moved away from his initial stylistic ideas, and, by constant transformation of his practically neoclassical style, he created a heterogeneous work. He dealt most intensely with piano music and, as a result, he contributed the most, both quantitatively and qualitatively, to this area.http://193.231.18.162/index.php/subbmusica/article/view/2872Vasilije Mokranjac, piano compositions, stylistic
spellingShingle Virđinia TOTAN
Petruța-Maria COROIU
THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
Studia Universitatis Babeş-Bolyai. Musica
Vasilije Mokranjac, piano compositions, stylistic
title THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
title_full THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
title_fullStr THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
title_full_unstemmed THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
title_short THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
title_sort stylistic features of vasilije mokranjac s piano compositions
topic Vasilije Mokranjac, piano compositions, stylistic
url http://193.231.18.162/index.php/subbmusica/article/view/2872
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