Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other...
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| Format: | Article |
| Language: | Italian |
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Università degli Studi di Milano
2022-12-01
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| Series: | Schermi |
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| Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/18656 |
| _version_ | 1827353532697673728 |
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| author | Enrico Gheller |
| author_facet | Enrico Gheller |
| author_sort | Enrico Gheller |
| collection | DOAJ |
| description |
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other side of the Alps for diplomatic purposes but without neglecting questions of an aesthetic nature, deserves attention. By relating certain aspects of the socio- historical context with the analysis of some critical texts, this article aims to reconstruct some trajectories of reception of neorealist cinema in the Italian-French press between 1945 and 1950.
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| first_indexed | 2024-03-08T03:27:47Z |
| format | Article |
| id | doaj.art-c20b0026a8a34fb486f8532362caa182 |
| institution | Directory Open Access Journal |
| issn | 2532-2486 |
| language | Italian |
| last_indexed | 2024-03-08T03:27:47Z |
| publishDate | 2022-12-01 |
| publisher | Università degli Studi di Milano |
| record_format | Article |
| series | Schermi |
| spelling | doaj.art-c20b0026a8a34fb486f8532362caa1822024-02-11T18:43:29ZitaUniversità degli Studi di MilanoSchermi2532-24862022-12-0161210.54103/2532-2486/18656Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)Enrico Gheller0Università degli Studi di Udine According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other side of the Alps for diplomatic purposes but without neglecting questions of an aesthetic nature, deserves attention. By relating certain aspects of the socio- historical context with the analysis of some critical texts, this article aims to reconstruct some trajectories of reception of neorealist cinema in the Italian-French press between 1945 and 1950. https://riviste.unimi.it/index.php/schermi/article/view/18656NeorealismReceptionpostwarCold warItalians in France |
| spellingShingle | Enrico Gheller Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) Schermi Neorealism Reception postwar Cold war Italians in France |
| title | Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) |
| title_full | Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) |
| title_fullStr | Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) |
| title_full_unstemmed | Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) |
| title_short | Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) |
| title_sort | un cinema fuoruscito esuli italiani in francia e ricezione del neorealismo 1945 1950 |
| topic | Neorealism Reception postwar Cold war Italians in France |
| url | https://riviste.unimi.it/index.php/schermi/article/view/18656 |
| work_keys_str_mv | AT enricogheller uncinemafuoruscitoesuliitalianiinfranciaericezionedelneorealismo19451950 |