Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other...
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| Formáid: | Alt |
| Teanga: | Italian |
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Università degli Studi di Milano
2022-12-01
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| Sraith: | Schermi |
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| Rochtain ar líne: | https://riviste.unimi.it/index.php/schermi/article/view/18656 |