Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine

The current essay aims to analyze the Italian cyberpunk experience through the lens of the «Decoder» magazine proposals (1987-1998), delving, in the second part, into the comic by Prof. Bad Trip included into the illustrated column Il Decoder dei piccoli. Giving space to music and performative arts,...

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Main Authors: Andrea Capriolo, Sara Molho
Format: Article
Language:English
Published: University of Bologna 2023-01-01
Series:piano b
Subjects:
Online Access:https://pianob.unibo.it/article/view/16346
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author Andrea Capriolo
Sara Molho
author_facet Andrea Capriolo
Sara Molho
author_sort Andrea Capriolo
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description The current essay aims to analyze the Italian cyberpunk experience through the lens of the «Decoder» magazine proposals (1987-1998), delving, in the second part, into the comic by Prof. Bad Trip included into the illustrated column Il Decoder dei piccoli. Giving space to music and performative arts, but also radical critics, and recovering a whole tradition of youth protests from the previous decades, the magazine contributed to the genre definition. This happened thanks to the graphic design, which enlightened the arrival of dystopian worlds, and thanks to a precise thinking direction, which was clear in essays such as Rete Informatica Alternativa [Alternative informatical web] by Raf "Valvola" Scelsi. In particular, we discuss some creative passages that drove the magazine as a point of reference for cyberpunk and international hacktivism. The editorial board participated in the definition of new virtual communities: the group developed its own BBS, and it was part of the project Piazza Virtuale by Van Gogh Tv, on the occasion of documenta IX in 1992 in Kassel.
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spelling doaj.art-c20b1de79ea54728b66377d07fce0b8b2023-01-27T11:27:31ZengUniversity of Bolognapiano b2531-98762023-01-017215918810.6092/issn.2531-9876/1634614699Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazineAndrea Capriolo0Sara Molho1Università degli Studi di UdineUniversità di BolognaThe current essay aims to analyze the Italian cyberpunk experience through the lens of the «Decoder» magazine proposals (1987-1998), delving, in the second part, into the comic by Prof. Bad Trip included into the illustrated column Il Decoder dei piccoli. Giving space to music and performative arts, but also radical critics, and recovering a whole tradition of youth protests from the previous decades, the magazine contributed to the genre definition. This happened thanks to the graphic design, which enlightened the arrival of dystopian worlds, and thanks to a precise thinking direction, which was clear in essays such as Rete Informatica Alternativa [Alternative informatical web] by Raf "Valvola" Scelsi. In particular, we discuss some creative passages that drove the magazine as a point of reference for cyberpunk and international hacktivism. The editorial board participated in the definition of new virtual communities: the group developed its own BBS, and it was part of the project Piazza Virtuale by Van Gogh Tv, on the occasion of documenta IX in 1992 in Kassel.https://pianob.unibo.it/article/view/16346decoderprof bad triphacktivismcyberpunknetworking
spellingShingle Andrea Capriolo
Sara Molho
Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
piano b
decoder
prof bad trip
hacktivism
cyberpunk
networking
title Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
title_full Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
title_fullStr Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
title_full_unstemmed Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
title_short Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine
title_sort real hyperreal virtual echoes of cyberpunk in decoder magazine
topic decoder
prof bad trip
hacktivism
cyberpunk
networking
url https://pianob.unibo.it/article/view/16346
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