Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art

This article examines the concept of style by combining three approaches: that of Giorgio Vasari, whose work is a classic of Western art history, that of Meyer Schapiro, which mediates between art−historical and archaeological/anthropological disciplines, and that of Polly Schaafsma, an ex...

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Main Authors: Livio Dobrez, Patricia Dobrez
Format: Article
Language:English
Published: MDPI AG 2019-07-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/8/3/80
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author Livio Dobrez
Patricia Dobrez
author_facet Livio Dobrez
Patricia Dobrez
author_sort Livio Dobrez
collection DOAJ
description This article examines the concept of style by combining three approaches: that of Giorgio Vasari, whose work is a classic of Western art history, that of Meyer Schapiro, which mediates between art−historical and archaeological/anthropological disciplines, and that of Polly Schaafsma, an example of what stylistic analysis may achieve in rock art studies. We foreground rock art by reason of its ubiquity and time-depth, at the same time placing it in the context of any kind of depiction. In the course of the argument, we comment on a variety of relevant issues, such as those relating to progress in art; to realism; to the relation of style and history, that is, cultural context; and to quantitative as well as qualitative analytical methodologies.
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spelling doaj.art-c217d48694b946538e83d82844adfdb42022-12-21T18:57:53ZengMDPI AGArts2076-07522019-07-01838010.3390/arts8030080arts8030080Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock ArtLivio Dobrez0Patricia Dobrez1Australian National University, Canberra, ACT 2602, AustraliaIndependent Scholar, Canberra, ACT 2602, AustraliaThis article examines the concept of style by combining three approaches: that of Giorgio Vasari, whose work is a classic of Western art history, that of Meyer Schapiro, which mediates between art−historical and archaeological/anthropological disciplines, and that of Polly Schaafsma, an example of what stylistic analysis may achieve in rock art studies. We foreground rock art by reason of its ubiquity and time-depth, at the same time placing it in the context of any kind of depiction. In the course of the argument, we comment on a variety of relevant issues, such as those relating to progress in art; to realism; to the relation of style and history, that is, cultural context; and to quantitative as well as qualitative analytical methodologies.https://www.mdpi.com/2076-0752/8/3/80rock artsouthwestern American rock artart historyarchaeologystylerealism
spellingShingle Livio Dobrez
Patricia Dobrez
Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
Arts
rock art
southwestern American rock art
art history
archaeology
style
realism
title Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
title_full Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
title_fullStr Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
title_full_unstemmed Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
title_short Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art
title_sort vasari schapiro schaafsma three points of departure for a discussion of style in rock art
topic rock art
southwestern American rock art
art history
archaeology
style
realism
url https://www.mdpi.com/2076-0752/8/3/80
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