From Princess to Punk: Digitisation in the Fashion Studio

The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. Working within the designer’s private studio space, this ini...

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Main Author: Amy Robinson
Format: Article
Language:English
Published: University of Edinburgh 2014-05-01
Series:International Journal of Digital Curation
Online Access:http://localhost:8032/ijdc/article/view/269
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author Amy Robinson
author_facet Amy Robinson
author_sort Amy Robinson
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description The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. Working within the designer’s private studio space, this initiative has developed the first digital record of her personal collection of garments and drawings, supported and enriched with behind-the-scenes video interviews and tutorials, for worldwide educational use. This paper examines the benefits and strategies for undertaking the project in situ within the designer’s private studio environment. It outlines the need for a bespoke, flexible approach to digitisation in the visual arts that respects the individuality and creativity of the artist, whilst drawing on established documentation standards and expertise from the library, archive and museum sector.
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spelling doaj.art-c2319eb28b4841fdaf13982fbbcd2c4c2023-12-06T17:44:05ZengUniversity of EdinburghInternational Journal of Digital Curation1746-82562014-05-0191From Princess to Punk: Digitisation in the Fashion StudioAmy Robinson The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. Working within the designer’s private studio space, this initiative has developed the first digital record of her personal collection of garments and drawings, supported and enriched with behind-the-scenes video interviews and tutorials, for worldwide educational use. This paper examines the benefits and strategies for undertaking the project in situ within the designer’s private studio environment. It outlines the need for a bespoke, flexible approach to digitisation in the visual arts that respects the individuality and creativity of the artist, whilst drawing on established documentation standards and expertise from the library, archive and museum sector. http://localhost:8032/ijdc/article/view/269
spellingShingle Amy Robinson
From Princess to Punk: Digitisation in the Fashion Studio
International Journal of Digital Curation
title From Princess to Punk: Digitisation in the Fashion Studio
title_full From Princess to Punk: Digitisation in the Fashion Studio
title_fullStr From Princess to Punk: Digitisation in the Fashion Studio
title_full_unstemmed From Princess to Punk: Digitisation in the Fashion Studio
title_short From Princess to Punk: Digitisation in the Fashion Studio
title_sort from princess to punk digitisation in the fashion studio
url http://localhost:8032/ijdc/article/view/269
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