Nacjonalizm zwyczajnych ludzi. Etnicy­zowanie tradycji muzycznej na przykładzie festiwalu w Gučy

Normal people’s nationalism. Ethnicization of music tradition for instance some festival in Guča Since the 1980’s ethnology and social and cultural anthropology have witnessed an increasing number of studies and debates on nationalism in the light of popular culture. In the light of theory formulate...

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Bibliographic Details
Main Author: Waldemar Kuligowski
Format: Article
Language:Bulgarian
Published: Institute of Slavic Studies, Polish Academy of Sciences 2015-08-01
Series:Slavia Meridionalis
Subjects:
Online Access:https://journals.ispan.edu.pl/index.php/sm/article/view/842
Description
Summary:Normal people’s nationalism. Ethnicization of music tradition for instance some festival in Guča Since the 1980’s ethnology and social and cultural anthropology have witnessed an increasing number of studies and debates on nationalism in the light of popular culture. In the light of theory formulated by Hobsbawm, Gellner, Hayes and Comaroff nationalism is effect not big symbols and official politics, but rather popular entertainment, media and normal practices normal people in its normal life. Traditional primordial concepts of nationalism are deep regressive. In this paper, I discuss a few contradictions in the relationship between tradition, nationalism and music. An excellent example illustrating specific nature of these contradictions is Dragačevski sabor trubača (Guča Trumpet Festival) in Guča, Serbia and particular music genre – brass music. In my opinion there are three distinctive discourses/narrations about history and meaning this festival and specific kind of music: dominating Serbian discourse, ‘weak’ Gypsy discourse, and researcher’s discourse. This study is effect an ethnographic fieldwork conducted in 2010 by an author and large group of students from Institute of Ethnology and Cultural Anthropology Adam Mickiewicz University Poznań, Poland.
ISSN:2392-2400